European Voices. Vol.3

The understanding of instrumentation in music literature has been closely connected for a longer period with instruments and their sound qualities and fusion possibilities. Views like those held by Igor Stravinsky, who considered instrumentation to be an inseparable part of musical composition, widen the perspective. Significantly, such a perspective is a matter of course in local practices. Multipart music practices are of particular interest in this context, because they enable us to discern the most diverse ways of creating a common sound and to recognize this process as a founder of social interactions, which is more than an accomplishment in which it would be a pleasure to take one's part. The instrumentation and instrumentalization of sound thus become particularly important for research.

Autorentext
Ardian Ahmedaja is Senior Researcher at the Department of Folk Music Research and Ethnomusicology of the University of Music and Performing Arts ViennaUrsula Hemetek ist a.o. Universitätsprofessorin am Institut für Volksmusikforschung und Ethnomusikologie der Universität für Musik und darstellende Kunst Wien.Ardian Ahmedaja is Senior Researcher at the Department of Folk Music Research and Ethnomusicology of the University of Music and Performing Arts ViennaRudolf Pietsch ist Assistent am Institut für Volksmusikforschung und Ethnomusikologie an der Universität für Musik und darstellende Kunst Wien.WALTER DEUTSCH (*Bozen, Südtirol), Musikstudium in Innsbruck und Wien. 1965-1991 Gründer und Leiter des Instituts für Volksmusikforschung, Hochschule für Musik und darstellende Kunst, Wien. Seit 1992 Projektleiter der Enzyklopädie COMPA = corpus musicae popularis austriacae, Gesamtausgabe der Volksmusik in Österreich im Auftrag des Österreichischen Volksliedwerkes.

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