Untertitel:
A Global Comparative Approach
Autor:
Anthony (Princeton University, New Jersey Grafton
Herausgeber:
Cambridge University Press
Erscheinungsdatum:
04.12.2017
Zusammenfassung This book presents a major collection of essays that expand our vision of the history of textual practices. It explores the multiple ways across time and cultures in which texts have been selected for entry into official canons and then verified, corrected, glossed, interpreted, illustrated, excerpted, performed, archived, and otherwise put to use.
Klappentext
A comparative intercultural study of the techniques applied by scholars throughout the world to deal with problematic texts and artifacts.
Inhalt
How to do things with texts: an introduction Anthony Grafton and Glenn W. Most; 1. Reliable books: Islamic law, canonization, and manuscripts in the Ottoman Empire (sixteenth to eighteenth centuries) Guy Burak; 2. Obscurity Ineke Sluiter; 3. Allegoresis and etymology Glenn W. Most; 4. Classifying the Rigveda on the basis of ritual usage: the deity-of-the-formula system Paolo Visigalli; 5. Mary d m Ullanghya: The boundaries of interpretation in early modern India Christopher Minkowski; 6. Making sense of Suetonius in the twelfth century Robert A. Kaster; 7. From Philology to Philosophy: Zhu Xi as a reader-annotator Lianbin Dai; 8. Gods on clay: ancient Near Eastern scholarly practices and the history of religions Aaron Tugendhaft; 9. An unknown medieval Coptic Hebraism? On a momentous junction of Jewish and Coptic biblical studies Ronny Vollandt; 10. Picturing as practice: placing a square above a square in the central Middle Ages Megan McNamee; 11. Inimitable sources: canonical texts and rhetorical theory in the Greek, Latin, Arabic, and Hebrew traditions Filippomaria Pontani; 12. Excerpts versus fragments: deconstructions and reconstitutions of the Excerpta Constantiniana András Németh; 13. Johann Buxtorf makes a notebook Anthony Grafton and Joanna Weinberg; 14. World bibliographies: libraries and the reorganization of knowledge in late Renaissance Europe Paola Molino.
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