Heights of Reflection

Autorentext
Edited by Sean Ireton and Caroline Schaumann

Klappentext
Mountains have always stirred the human imagination, playing a crucial role in the cultural evolution of peoples around the globe and becoming infused with meaning in the process. Beyond their geographical-geological significance, mountains affect the topography of the mind, whether as objects of peril or attraction, of spiritual enlightenment or existential fulfillment, of philosophical contemplation or aesthetic inspiration. This volume challenges the oversimplified assumption that human interaction with mountains is a distinctly modern development, one that began with the empowerment of the individual in the wake of Enlightenment rationalism and Romantic subjectivity. These essays by European and North American scholars examine the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the present, with a focus on the interaction between humans and the alpine environment. The contributors consider mountains not as mere symbolic tropes or literary metaphors, but as constituting a tangible reality that informs the experiences and ideas of writers, naturalists, philosophers, filmmakers, and composers. Overall, this volume seeks to provide multiple answers to questions regarding the cultural significance of mountains as well as the physical practice of climbing them. Contributors: Peter Arnds, Olaf Berwald, Albrecht Classen, Roger Cook, Scott Denham, Sean Franzel, Christof Hamann, Harald Hobusch, Dan Hooley, Peter Hoyng, Sean Ireton, Oliver Lubrich, Anthony Ozturk, Caroline Schaumann, Heather I. Sullivan, Johannes Turk, Sabine Wilke, Wilfried Wilms. Sean Ireton is Associate Professor of German at the University of Missouri. Caroline Schaumann is Associate Professor of German Studies at Emory University.

Zusammenfassung
Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century.

Inhalt
Introduction: The Meaning of Mountains: Geology, History, Culture - Sean Ireton and Caroline Schaumann Prelude: Classical Mountain Landscapes and the Language of Ascent - Dan Hooley Terra Incognita? Mountains in Medieval and Early Modern German Literature - Albrecht Classen From Meadows to Mountaintops: Albrecht von Haller's"Die Alpen" - Caroline Schaumann Geo-Poetics: The Alpine Sublime in Art and Literature, 1779-1860 - Anthony Ozturk Time and Narrative in the Mountain Sublime around 1800 - Sean Franzel Faust's Mountains: An Ecocritical Reading of Goethe's Tragedy and Science - Heather I. Sullivan Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia - Sabine Wilke Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo - Oliver Lubrich From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck's Der Runenberg - Peter Arnds Geology, Mountaineering, and Self-Formation in Adalbert Stifter's Der Nachsommer - Sean Ireton "An Apparition from Another World" -- The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth-Century Germany - Christof Hamman Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss's Eine Alpensinfonie - Peter Höyng Elevation and Insight: Thomas Mann's Der Zauberberg - Johannes Turk "The Essence of the Alpine World Is Struggle": Strategies of Gesundung in Arnold Fanck's Early Mountain Films - Wilfried Wilms PhD "Mountain of Destiny": The Filmic Legacy of Nanga Parbat - Harald Hoebusch Spatial Orientation and Embodied Transcendence in Werner Herzog's Mountain Climbing Films - Roger F. Cook W. G. Sebald's Magic Mountains - Scott Denham Conflicting Ascents: Inscriptions, Cartographies, andDisappearance in Christoph Ransmayr's Der fliegende Berg - Olaf Berwald Works Cited Notes on the Contributors Index

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