Continuum Encyclopedia of Popular Music of the World Part 1 Performance and Production

The Bloomsbury Encyclopedia of Popular Music Volume 2 explores elements of production and performance and their relationship to popular music. This second volume consists of 460 entries by 130 contributors from around the world and is arranged in four parts: Part I: Performers and Performing; Part II: Musical Production and Transmission; Part III: Musical Instruments; and Part IV: Musical Forms and Practice. Entries include musical examples, bibliographies, discographies and filmographies.This and all other volumes of the are now available through an online version of the Encyclopedia : https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.

Autorentext
John Shepherd is Chancellor's Professor of music and sociology, and Dean, Faculty of Graduate Studies and Research at Carleton University, ON. He is a Fellow of the Royal Society of Canada. David Horn was a founding editor of the journal Popular Music (Cambridge University Press, 1981+), and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Other recent publications include two edited volumes: The Cambridge Companion to Jazz (with Mervyn Cooke, 2002), and a special issue of Popular Music in honour of Paul Oliver (2006). Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Paul Oliver is a Fellow of Oxford Brookes University. Center for Popular Music Research, The Humboldt Univeristy, Berlin

Inhalt
Preface
Part I: Performers and Performing Groups
Individuals
Performance Techniques
Part II: Musical Production and Transmission
Personnel
Processes: Interpretative/Technological
Technologies
Part III: Musical Instruments
Found Instruments
Guitars
Keyboard Instruments
Mechanical Instruments
Percussion Instruments
Stringed Instruments
Voice
Wind Instruments
Part IV: Musical Form and Practice
Form
Harmony
Melody
Rhythm
The Piece
Timbre
Words, Images and Movement
Index

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