The Mirror, the Window, and the Telescope

Klappentext Samuel Y. Edgerton is Amos Lawrence Professor of Art History Emeritus at Williams College. He is the author of many books, including Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico and The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution. Zusammenfassung Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.

Zusammenfassung
Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.

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