Eisenstein on the Audiovisual

Informationen zum Autor Robert Robertson is a composer and filmmaker, and the author of Cinema and the Audiovisual Imagination (I.B. Tauris, 2015), Eisenstein on the Audiovisual (I.B. Tauris, 2009, 2011), winner of the Kraszna-Krausz Foundation Prize, 2010. For more details, see Robert Robertson, British Music Collection. Klappentext The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his handful of films have had on the development of cinema. Less is known about his remarkable and extensive writings! which present a continent of ideas about film. Here Robert Robertson explores a significant area of Eisenstein's thought: his ideas about the audiovisual in cinema! which are more pertinent today than ever before with the advent of digital technology--music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex exciting subject with more depth and originality than any other practitioner. "Eisenstein on the Audiovisual" is essential reading for anyone who deals with the audiovisual in cinema and related audiovisual forms! including theatre! opera! dance and multimedia. Presents an introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Zusammenfassung The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundation's And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia. Inhaltsverzeichnis Introduction1 Audiovisual counterpoint2 Organic unity3 Nonindifferent nature4 Synaesthesia...

Vorwort
Presents an introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result.

Autorentext
Robert Robertson is a composer and filmmaker, and the author of Cinema and the Audiovisual Imagination (I.B. Tauris, 2015), Eisenstein on the Audiovisual (I.B. Tauris, 2009, 2011), winner of the Kraszna-Krausz Foundation Prize, 2010. For more details, see Robert Robertson, British Music Collection.

Klappentext
The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his handful of films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Here Robert Robertson explores a significant area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before with the advent of digital technology--music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex exciting subject with more depth and originality than any other practitioner. "Eisenstein on the Audiovisual" is essential reading for anyone who deals with the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.

Inhalt
Introduction 1 Audiovisual counterpoint 2 Organic unity 3 Nonindifferent nature 4 Synaesthesia

#	Onlineshop	Preis CHF	Versand CHF	Total CHF
1	Seller	0.00	0.00	0.00