Crime Watching

Informationen zum Autor Deborah Jermyn is Senior Lecturer in Film Studies, Digby Stuart College, University of Surrey Roehampton. She is the co-editor of 'The Audience Studies Reader' and 'Understanding Reality Television'. Vorwort Looking at the social and political context of the period in which "Crimewatch UK" appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, this book investigates the conditions that have enabled the ubiquity of real crime programming on contemporary television and the anxieties that surround it. Zusammenfassung Looking at the social and political context of the period in which "Crimewatch UK" appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, this book investigates the conditions that have enabled the ubiquity of real crime programming on contemporary television and the anxieties that surround it.

Vorwort
Looking at the social and political context of the period in which "Crimewatch UK" appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, this book investigates the conditions that have enabled the ubiquity of real crime programming on contemporary television and the anxieties that surround it.

Autorentext
Deborah Jermyn is Senior Lecturer in Film Studies, Digby Stuart College, University of Surrey Roehampton. She is the co-editor of 'The Audience Studies Reader' and 'Understanding Reality Television'.

Klappentext
, "America's Most Wanted" and "World's Wildest Police Videos", this book investigates the conditions that have enabled and advanced the ubiquity of real crime programming on contemporary television and the anxieties that surround it. Examining critiques that real crime TV has increased fear of crime while legitimising a surveillance culture, and that it serves to stifle debate about criminality and policing, "Crime Watching" also reflects on the pleasures of these programmes and the enduring nature of our culture's seemingly endless fascination with real crime stories.

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