Pop Pagans

Informationen zum Autor Donna Weston is Head of Popular Music at the Queensland Conservatorium! Griffith University! Australia. Andy Bennett is Professor in Cultural Sociology in the Centre for Public Culture and Ideas! Griffith University! Australia. Klappentext With essays ranging widely across the US! UK! continental Europe! Australia and Asia! 'Pop Pagans' examines the histories! genres! performances! and communities of pagan popular music. Zusammenfassung With essays ranging widely across the US, UK, continental Europe, Australia and Asia, 'Pop Pagans' examines the histories, genres, performances, and communities of pagan popular music. Inhaltsverzeichnis Contributors List Foreword! Graham Harvey 1. Towards a Definition of Pagan Music! Donna Weston and Andy Bennett Part I Histories 2. Paganism and the Counter-culture! Andy Bennett 3. Paganism! Popular Music and Stonehenge! Rupert Till 4. Rememberings of a Pagan Past: Popular Music and Sacred Place! Donna Weston Part II Genres 5. Pagan Metal! Deena Weinstein 6. The Darker Shade of Pagan: The Emergence of Goth! Jason Pitzl-Waters 7. Paganism and the British Folk Revival! Andy Letcher Part III Performance 8. Dancing Paganism: Music! Dance and Pagan Identity! Douglas Ezzy 9. Total Solar Eclipse Festivals! Cosmic Spirituality and Planetary Culture! Graham St John 10. Techno-shamanism and the Economy of Ecstasy as a Religious Experience! Alan Nixon and Adam Possamai Part IV Communities 11. Sacramental Song: Theological Imagination in the Religious Music of American Pagans! Christopher Chase 12. The Rise of the Celtic Cyber-diaspora: The Influence of the "New Age" on Internet Pagan Communities and the Dissemination of "Celtic" Music! Narelle McCoy 13 Esoterrorism and the Wrecking of Civilization: Genesis P-Orridge and the Rise of Industrial Paganism! Christopher Partridge Notes Discography and Filmography Bibliography Index

Autorentext
Donna Weston is Head of Popular Music at the Queensland Conservatorium, Griffith University, Australia. Andy Bennett is Professor in Cultural Sociology in the Centre for Public Culture and Ideas, Griffith University, Australia.

Klappentext
With essays ranging widely across the US, UK, continental Europe, Australia and Asia, 'Pop Pagans' examines the histories, genres, performances, and communities of pagan popular music.

Inhalt
Contributors List Foreword, Graham Harvey 1. Towards a Definition of Pagan Music, Donna Weston and Andy Bennett Part I Histories 2. Paganism and the Counter-culture, Andy Bennett 3. Paganism, Popular Music and Stonehenge, Rupert Till 4. Rememberings of a Pagan Past: Popular Music and Sacred Place, Donna Weston Part II Genres 5. Pagan Metal, Deena Weinstein 6. The Darker Shade of Pagan: The Emergence of Goth, Jason Pitzl-Waters 7. Paganism and the British Folk Revival, Andy Letcher Part III Performance 8. Dancing Paganism: Music, Dance and Pagan Identity, Douglas Ezzy 9. Total Solar Eclipse Festivals, Cosmic Spirituality and Planetary Culture, Graham St John 10. Techno-shamanism and the Economy of Ecstasy as a Religious Experience, Alan Nixon and Adam Possamai Part IV Communities 11. Sacramental Song: Theological Imagination in the Religious Music of American Pagans, Christopher Chase 12. The Rise of the Celtic Cyber-diaspora: The Influence of the "New Age" on Internet Pagan Communities and the Dissemination of "Celtic" Music, Narelle McCoy 13 Esoterrorism and the Wrecking of Civilization: Genesis P-Orridge and the Rise of Industrial Paganism, Christopher Partridge Notes Discography and Filmography Bibliography Index

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