Creolizing Contradance in the Caribbean

Autorentext
Peter Manuel is Professor of Music at John Jay College and the CUNY Graduate Center. He is the author of six books and many articles on musics of India, the Caribbean, Spain, and elsewhere, including East Indian Music in the West Indies (Temple). He also plays sitar, jazz piano, and flamenco guitar.

Klappentext
How contradanceand quadrille gave rise to merengue, danz

Zusammenfassung
The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole Caribbean music and dance in the nineteenth century. This book explores this phenomenon with a pan-regional perspective. It features chapters that discuss the Spanish, French, and English-speaking Caribbean.

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