Wagner's Meistersinger

Klappentext
Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premier in 1868. It was adopted as Germany's national operas ('Nationaloper'), not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The opera epitomizes themes of Germanness, including what many regard as blatant anti-Semitic imagery, and thus ideally suited the agenda of the Third Reich, or so it seemed. Despite or perhaps because of the ease with which the Nazis appropriated the work, it was selected as the first opera to be performed when the Bayreuth festival re-opened after the War.The first section of this volume, 'Performing Meistersinger, contains three commissioned articles from internationally respected artists - a conductor (Peter Schneider), a stage director (Harry Kupfer) and a singer (Dietrich Fischer-Dieskau), all experienced in the performance of this unusually demanding 5-hour work. The second section, 'Meistersinger and History', examines both the representation of German history in the opera and the way the opera has functioned in history through political appropriation and staging practice. The third section, 'Representations', is the most eclectic, exploring in the first place the problematic question of genre from the perspective of a theatrical historian. The chronic issue of Wagner's chief opponent, Eduard Hanslick, and his musical and dramatic representation in the opera as Bessmesser, is then addressed, as are gender issues, and Wagner's own utterances concerning the opera. Contributors: Nicholas Vazsonyi, Peter Schneider, Harry Kupfer, Dietrich Fischer-Dieskau, Hans Rudolf Vaget, Lutz Koepnick, David B.Dennis, Klaus Van Den Berg, Thomas S. Grey, Lydia Goehr, Eva Rieger, Peter Hvyng. Nicholas Vazsonyi is Associate Professor of German, University of South Carolina

Inhalt
"Climbing Mount Everest": On Conducting Die Meistersinger - Peter Schneider "We Must Finally Stop Apologizing for Die Meistersinger!": A Conversation with Harry Kupfer - Harry Kupfer Richard Wagner's Cobbler Poet - Dietrich Fischer-Dieskau The Dangers of Satisfaction: On Songs, Rehearsals, and Repetition in Die Meistersinger - Stereoscopic Vision: Sight and Community in Die Meistersinger - Lutz Koepnick "The Most German of All German Operas": Die Meistersinger through the Lens of the Third Reich - David B. Dennis http://worldwidewagner.richard.de: An Interview with the Composer concerning History, Nation, and Die Meistersinger - Peter Höyng Die Meistersinger as Comedy: The Performative and Social Signification of Genre - Klaus van den Berg Masters and Their Critics: Wagner, Hanslick, Beckmesser, and Die Meistersinger - Thomas Grey "Du warst mein Feind von je": The Beckmesser Controversy Revisited - Hans Rudolf Vaget "I Married Eva": Gender Construction and Die Meistersinger - Eva Rieger

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