Companions to the History of Architecture, 4 Volume Set

Autorentext
Harry Francis Mallgrave, Hon FRIBA, is Distinguished Professor Emeritus, Illinois Institute of Technology. He is the author or editor of numerous books, including Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design (2013). His books published with Wiley Blackwell include Architectural Theory: An Anthology from Vitruvius to 1870, Volume 1 (2005), Architectural Theory: An Anthology from 1871 to 2005, Volume 2 (edited with Christina Contandriopoulos, 2008), The Architect's Brain: Neuroscience, Creativity, and Architecture (2011), and An Introduction to Architectural Theory: 1968 to the Present (with David Goodman, 2011). Volume I: Renaissance and Baroque Architecture, Edited by Alina Payne, Harvard University
Volume II: Eighteenth-Century Architecture, Edited by Caroline van Eck, Cambridge University, and Sigrid de Jong, Leiden University
Volume III: Nineteenth-Century Architecture, Edited by Martin Bressani, McGill University, and Christina Contandriopoulos, Université du Québec à Montréal
Volume IV: Twentieth-Century Architecture, Edited by David Leatherbarrow, University of Pennsylvania, and Alexander Eisenschmidt, University of Illinois at Chicago

Klappentext
Unprecedented in its in-depth coverage, and with over 500 illustrations, photographs, and architectural drawings the multi-volume Companion to the History of Architecture offers an indispensable resource on architectural thought and practice ranging from the 15th century to the present day. * AUTHORITATIVE: Brings together an international team of over one hundred eminent historians, academics and practising architects * USER-FRIENDLY: Accessibly structured into volumes organized both chronologically and thematically, spanning the architecture of the Medieval, Renaissance, and Enlightenment periods, through to the 19th, 20th, and 21st centuries * INCLUSIVE: Spans a broad and global range of issues, from the impact of war and religion on city architecture; its relationship with the public; and architecture and the sciences; to examples such as materials and Tectonic expression; Beaux-arts and the Gothic; and contemporary issues, such as contemporary architecture's critical review of its cultural production, ecology, technological saturation, and ontological engagement with a world now largely urbanized * CUTTING-EDGE: Reviews the most recent developments in the field, including theory and practice from the past ten years, along with likely future developments in the history of architecture * MULTI-FORMAT: Publishing simultaneously in print and online, providing an unparalleled reference work for students and scholars alike

Inhalt
VOLUME I List of Illustrations About the Editors Contributors to Volume I Contents of The Companions to the History of Architecture Introduction: Renaissance and Baroque Architecture Alina Payne xxv Part I The Building Blocks Architecture and its Culture 1. When did the Renaissance in Architecture Begin?: From Panofskian Mythography to Vasarian History Marvin Trachtenberg 2. Vitruvius and the Architectural Treatise in Early Modern Europe Tod A. Marder 3. Architecture and Antique Sculpture in Early Modern Rome Kathleen Christian 4. What Drawings did in Renaissance Italy Cammy Brothers 5. Materiality, Ornament, and Media Overlaps: Architecture Between Art and Building Science Alina Payne 6. Theater and Architecture: Toward a Material History of Renaissance Theater Alice Jarrard 7. Architecture and the Sciences Pamela O. Long 8. Vaults and Domes: Statics as an Art Federico Bellini City, War, and Religion 9. The Birth of the Modern City Claudia Conforti 10. The City at War and the Semantic Armament of Renaissance Architecture Marion Hilliges 11. Taking Place: Architecture and Religious Devotion in Seventeenth-Century Italy Helen Hills 12. Jesuit Architecture Worldwide: A Culture of Corporate Invention Evonne Levy Part II Global Geographies and European Internationalism France, the Low Countries, and Britain 13. Medici Queens as Patrons in France Sabine Frommel 14. Classicism and Church Architecture in Early Seventeenth-Century France: Aspects and Debates Erika Naginski 15. Religious Architecture and the Image in the Southern Netherlands after the Beeldenstorm: Shrines for Miracle-Working Statues of the Virgin Mary Maarten Delbeke 16. British Classicism to 1700 and the Search for a National Architectural Style Vaughan Hart 17. Understanding Roman Architecture from a Distance: Sir Christopher Wren on the Temples of Peace and of Mars the Avenger Caroline van Eck Iberia, Spanish Italy, the Ottomans, and Latin America 18. Al-Andalus and Castile: Art and Identity in the Iberian Peninsula Maria Feliciano and Juan Carlos Ruiz Souza 19. The Spanish Kingdom of Southern Italy: Architecture in Naples, Lecce, L'Aquila Daniela del Pesco 20. Architectural Dialogues across the Eastern Mediterranean: Monumental Domed Sanctuaries in the Ottoman Empire and Renaissance Italy Gülru Necipolu 21. The Classical Ideal in Portugal and the Portuguese World: From Lisbon to China Nuno Senos 22. Baroque Spain: Architecture and Urbanism for a Universal Monarchy Jesús Escobar 23. The Architecture of the Early Modern Period "Because Vitruvius did not Recommend Square Columns": Europe, Latin America, and the Globalization of the Renaissance Tom Cummins The German Lands and Bohemia 24. Northern Imaginative Antiquarianism: The Dismembered Column as Relic and Tool Christopher P. Heuer 25. The Reception and Flowering of Classicism in the German Lands Harry Francis Mallgrave 26. Crossbreeding Cultures: Italian and Local, Elite and Popular: Building in Bohemia, 1490-1720 Dirk De Meyer Index VOLUME II Contributors to Volume II Introduction: Eighteenth-Century Architecture Caroline van Eck and Sigrid de Jong Part I: The Main Actors The Architect 1 Open to all: Architectural education in the eighteenth century Freek Schmidt 2 Architects' Libraries Robin L. Thomas 3 Laugier's Prototypal Hut, Soufflot's Sainte-Geneviève, and the Enlightenment Theory of Representation Neil Levine 4 Ornament in Eighteenth-Century Architecture Jean-François Bédard Building Portraits 1698-1731 [format of these TBC] Greenwich Hospital (1698 - 1728) Vaughan Hart Castle Howard (1699-1712) Neil Levine Blenheim (1705) Vaughan Hart Superga (1716-1731) Cornelia Joechner The Public 5 Architecture and the Spectator Caroline Van Eck 6 To Move and to be Moved: Experiencing Architectural Space Sigrid de Jong 7 Public Debate on Architecture in Eighteenth-Century France Richard Wittman 8 Between the Stage and the Public Space: Refiguring Spectatorship in French Theatre Architecture Bram van Oostveldt 9 Festival architecture as well-ordered entertainment Eric Monin Building Portraits 1716-1732 Karlskirche (1716-1737) Anja Schuermann Hôtel Amelot (1717) Freek Schmidt Saint Mary-le-Strand (1724) Vaughan Hart Chiswick Villa (1726-1732) Barbara Arciszewska The Patron 10 The Office of the King's Works and the Modernization of Architectural Patronage in England Barbara Arciszewska 11 'The Body Natural as well as the Body Politic stands indebted': the hospital - foundation, funding and form Ann-Marie Akehurst 12 Denmark, Norway and Sweden: the flirt with the French and its long-term effects Juliette Roding 13 Interiors and Patronage Meredith Martin 14 Female Architectural Patronage in 18th-Century France Claire Ollagnier Residenz Würzburg (1729-1744) Freek Schmidt All Souls College (1735) Vaughan Hart Radcliffe Camera (1739-1749) Vaughan Hart Vierzehnheiligen (1742-1744) Jean-François Bédard Part II: The Architectural Discourse The Schools and the Academies 15 The Académie Royale d'Architecture 1671-1793 Christopher Drew Armstrong 16 London, Parma, Dresden. Exposition, Competition, Exhi…

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