Historical Dictionary of African American Cinema, Second Edition

Informationen zum Autor S. Torriano Berry is an award-winning independent filmmaker who has created and executive produced the anthology series Black Independent Showcase and Black Visions/Silver Screen: Howard University Student Film, two half-hour made-for-television movies, The Light and When It's Your Turn. He is the creator of the science fiction anthology series The Black Beyond, and his feature-length horror film EMBALMER, is available on Netflix He is an associate professor in the Department of Media, Journalism and Film at Howard University.Venise T. Berry is the author of three best-selling novels: Colored Sugar Water, All of Me, A Voluptuous Tale, and So Good, An African American Love Story. She is coauthor of The 50 Most Influential Black Films and coeditor of Black Culture & Experience: Contemporary Issues and Mediated Messages and African-American Culture: Contemporary Issues 1996. She is currently completing a memoir entitled Driven and finishing her fourth novel Sansara. She Berry is currently an associate professor in African American Studies, and journalism and Mass Communication at the University of Iowa in Iowa City, Iowa. Klappentext As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen.This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema. Zusammenfassung This second edition of Historical Dictionary of African American Cinema covers its history through a chronology! an introductory essay! appendixes! and an extensive bibliography. This book is an excellent access point for students! researchers! and anyone wanting to know more about African American cinema. Inhaltsverzeichnis Editor's Foreword, Jon WoronoffPrefaceAcronyms and AbbreviationsChronologyIntroductionTHE DICTIONARYAppendixesANAACP Image Award WinnersBAfrican American Academy Award WinnersCAfrican American Golden Globe Award WinnersDBlack Filmmakers Hall of Fame InducteesETop Grossing African American FilmsBibliography and Internet SourcesAbout the Authors...

Klappentext
As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.

Zusammenfassung
This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.

Inhalt
Editor's Foreword, Jon Woronoff Preface Acronyms and Abbreviations Chronology Introduction THE DICTIONARY Appendixes ANAACP Image Award Winners BAfrican American Academy Award Winners CAfrican American Golden Globe Award Winners DBlack Filmmakers Hall of Fame Inductees ETop Grossing African American Films Bibliography and Internet Sources About the Authors

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