The Stammheim Missal

Informationen zum Autor Elizabeth Teviotdale is associate curator of manuscripts at the Getty Museum. Klappentext The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a celebrated abbey in medieval Germany. This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole. Zusammenfassung This missal from the mid-12th century was used in the Church's liturgical rites. The major illuminated pages are reproduced along with a text that explains the iconography and historical context of the manuscript. The essay explains the profound theological statements found in the imagery.

Autorentext

Elizabeth Teviotdale is associate curator of manuscripts at the Getty Museum.


Klappentext
The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a celebrated abbey in medieval Germany.
This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole.


Zusammenfassung
This missal from the mid-12th century was used in the Church's liturgical rites. The major illuminated pages are reproduced along with a text that explains the iconography and historical context of the manuscript. The essay explains the profound theological statements found in the imagery.

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