Reichsrock

Zusammenfassung From rap to folk to punk! music has often sought to shape its listeners' political views! uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals! white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide.

Autorentext
KIRSTEN DYCK is an instructor of history, humanities, writing, and English as a foreign language at James Madison University in Harrisonburg, Virginia. She is a former fellow of the United States Holocaust Memorial Museum, the Auschwitz Jewish Center, and the German-American Fulbright Commission.

Klappentext
Reichsrock shines a light on the international white-power music industry, the fandom it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck investigates how white-power bands and their fans have used the internet to spread their message worldwide, while closely examining distinctly local white-power scenes in the United States, England, Germany, Russia, Greece, and Latin America. Tracking the very real violence this music fandom has sparked, she sounds an urgent message about a global menace.

Zusammenfassung
From rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide.

Inhalt
Acknowledgments
1What Is White-Power Music?
2The History of White-Power Music in Britain
3The History of White-Power Music in Continental Western Europe
4The History of White-Power Music in Eastern Europe
5The History of White-Power Music outside Europe
6Conclusion
NotesSelect BibliographySelect Recordings CitedIndex

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