Herta Muller

Informationen zum Autor Bettina Brandt taught at MIT, Columbia University, and Montclair State before joining the faculty at Pennsylvania State University. She has published on contemporary women writers such as Emine Özdamar and Yoko Tawada. Valentina Glajar is a professor of German at Texas State University, San Marcos. She is the coauthor of several books, including Local History, Transnational Memory in the Romanian Holocaust, and is the cotranslator of Müller s Traveling on One Leg. Klappentext Bettina Brandt taught at MIT, Columbia University, and Montclair State before joining the faculty at Pennsylvania State University. She has published on contemporary women writers such as Emine damar and Yoko Tawada. Valentina Glajar is a professor of German at Texas State University, San Marcos. She is the coauthor of several books, including Local History, Transnational Memory in the Romanian Holocaust, and is the cotranslator of M ller s Traveling on One Leg. Zusammenfassung Explores Herta Müllerâ™s writings from different literary, cultural, and historical perspectives. Part 1 features Müllerâ™s Nobel lecture, five new collage poems, and an interview with Ernest Wichner. Parts 2 and 3 address the political and poetical aspects of Müllerâ™s texts. Contributors discuss life under the Romanian Communist dictatorship while also stressing key elements of Müllerâ™s poetics. Inhaltsverzeichnis List of IllustrationsAcknowledgmentsIntroduction Bettina Brandt and Valentina GlajarPart 1. Life, Writing, and Betrayal1. Herta Müller: Writing and Betrayal Allan Stoekl2. Nobel Lecture: Every Word Knows Something of a Vicious Circle Herta Müller3. Collage Poems Herta Müller4. Interview with Ernest Wichner Valentina Glajar and Bettina BrandtPart 2. Totalitarianism, Autofiction, Memory5. When Dictatorships Fail to Deprive of Dignity: Herta Müller's "Romanian" Period Cristina Petrescu6. "Die akute Einsamkeit des Menschen": Herta Müller's Herztier Brigid Haines7. Facts, Fiction, Autofiction, and Surfiction in Herta Müller's Work Paola Bozzi8. From Fact to Fiction: Herta Müller's Atemschaukel Olivia SpiridonPart 3. Müller's Aesthetics of Experimentation9. "Wir können höchstens mit dem, was wir sehen, etwas zusammenstellen": Herta Müller's Collages Beverley Driver Eddy10. In Transit: Transnational Trajectories and Mobility in Herta Müller's Recent Writings Monika Moyrer11. Osmoses: Müller's Things, Bodies, and Spaces Anja Johannsen12. Herta Müller's Art of Reverberation: Sound in the Collage Books Die blassen Herren mit den Mokkatassen and Este sau nu este Ion Arina Rotaru13. Accumulating Histories: Temporality in Herta Müller's "Einmal anfassen--zweimal loslassen" Katrina NousekSelected BibliographyContributorsIndex...

Zusammenfassung
Explores Herta Müller's writings from different literary, cultural, and historical perspectives. Part 1 features Müller's Nobel lecture, five new collage poems, and an interview with Ernest Wichner. Parts 2 and 3 address the political and poetical aspects of Müller's texts. Contributors discuss life under the Romanian Communist dictatorship while also stressing key elements of Müller's poetics.

Inhalt
List of IllustrationsAcknowledgmentsIntroduction Bettina Brandt and Valentina GlajarPart 1. Life, Writing, and Betrayal1. Herta Müller: Writing and Betrayal Allan Stoekl2. Nobel Lecture: Every Word Knows Something of a Vicious Circle Herta Müller3. Collage Poems Herta Müller4. Interview with Ernest Wichner Valentina Glajar and Bettina BrandtPart 2. Totalitarianism, Autofiction, Memory5. When Dictatorships Fail to Deprive of Dignity: Herta Müller's "Romanian" Period Cristina Petrescu6. "Die akute Einsamkeit des Menschen": Herta Müller's Herztier Brigid Haines7. Facts, Fiction, Autofiction, and Surfiction in Herta Müller's Work Paola Bozzi8. From Fact to Fiction: Herta Müller's Atemschaukel Olivia SpiridonPart 3. Müller's Aesthetics of Experimentation9. "Wir können höchstens mit dem, was wir sehen, etwas zusammenstellen": Herta Müller's Collages Beverley Driver Eddy10. In Transit: Transnational Trajectories and Mobility in Herta Müller's Recent Writings Monika Moyrer11. Osmoses: Müller's Things, Bodies, and Spaces Anja Johannsen12. Herta Müller's Art of Reverberation: Sound in the Collage Books Die blassen Herren mit den Mokkatassen and Este sau nu este Ion Arina Rotaru13. Accumulating Histories: Temporality in Herta Müller's "Einmal anfassen--zweimal loslassen" Katrina NousekSelected BibliographyContributorsIndex

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