'Tis Herself

'Tis Herself

Einband:
Kartonierter Einband
EAN:
9780743269162
Untertitel:
An Autobiography
Genre:
Kunst
Autor:
Maureen O'Hara, John Nicoletti
Herausgeber:
Simon & Schuster
Anzahl Seiten:
336
Erscheinungsdatum:
01.03.2005
ISBN:
978-0-7432-6916-2

The Hollywood star traces her career and personal life, discussing such topics as her relationships with fellow actors, her marriage to plane crash victim Charles F. Blair, and her work on specific causes.

"A delightful anecdotal autobiography....O'Hara treats readers like close friends, and her powerful personality is evident throughout."
-- Publishers Weekly

Autorentext
Maureen O'Hara with John Nicoletti

Klappentext
With great candor and a mixture of pride and regret, O'Hara reflects on just how this young girl from Ireland made it in Hollywood. She also writes about many of the other actors and actresses with whom she worked, such as Lucille Ball, Errol Flynn, John Candy, and Natalie Wood.

Zusammenfassung
A first-ever, revealing and candid look at the life and career of one of Hollywood’s brightest and most beloved stars, Maureen O’Hara .

In an acting career of more than seventy years, Hollywood legend Maureen O’Hara came to be known as “the queen of Technicolor” for her fiery red hair and piercing green eyes. She had a reputation as a fiercely independent thinker and champion of causes, particularly those of her beloved homeland, Ireland. In ‘Tis Herself, O’Hara recounts her extraordinary life and proves to be just as strong, sharp, and captivating as any character she played on-screen.

O’Hara was brought to Hollywood as a teenager in 1939 by the great Charles Laughton, to whom she was under contract, to costar with him in the classic film The Hunchback of Notre Dame. She has appeared in many other classics, including How Green Was My Valley, Rio Grande, The Quiet Man, and Miracle on 34th Street. She recalls intimate memories of working with the actors and directors of Hollywood’s Golden Age, including Laughton, Alfred Hitchcock, Tyrone Power, James Stewart, Henry Fonda, and John Candy. With characteristic frankness, she describes her tense relationship with the mercurial director John Ford, with whom she made five films, and her close lifelong friendship with her frequent costar John Wayne. Successful in her career, O’Hara was less lucky in love until she met aviation pioneer Brigadier General Charles F. Blair, the great love of her life, who died in a mysterious plane crash ten years after their marriage.

Candid and revealing, ‘Tis Herself is an autobiography as witty and spirited as its author.

Leseprobe
Chapter One: The Gypsy and the Two-Headed Beast

My whole life was foretold to me. I peered out the crack of our door and found an old Romany Gypsy standing hunched on our porch in the hot afternoon sun. She smiled down at me and took my five-year-old hands in hers, then turned my palms upward and read my fortune. "You will leave Ireland one day and become a very famous woman known all around the world. You are going to make a fortune and be very, very rich." Then she held my hands in the light and cackled, "But it will all slip through your fingers one day." I pulled my hands away and answered with certainty, "I'll never leave Ireland." Then I closed the door.

I thought the old girl was silly. I didn't need a Gypsy to tell me what my place in the world would be. I already knew. I believed from the time I was able to think that I was going to set the world on fire.

You are about to read the tale of the toughest Irish lass who ever took on Hollywood and became a major leading lady of the silver screen. In a career that has lasted for over sixty years, I have acted, punched, swashbuckled, and shot my way through an absurdly masculine profession during the most extraordinary of times. As a woman, I'm proud to say that I stood toe-to-toe with the best of them and made my mark on my own terms. I'm Maureen O'Hara, and this is my life story.

So did the old Gypsy get it right? And who is the real Maureen O'Hara anyway? I bet that's what you really want to know. Before I answer and we begin our journey together, I want to tell you why I've decided to write this book. For one thing, I do feel a sense of responsibility for sharing my thoughts and experiences about the most remarkable era in filmmaking history -- Hollywood's golden age. There aren't many of us left who can honestly look back and give you a taste of its delicious insanity and glamour.

More important, though, I'm finally ready to confront my long life with open eyes. I'm ready to revisit those treacherous hills I once climbed, and eager to kill any fear deargs (pronounced "far darrigs") that may still be lurking in the shadows. I also want to set the record straight about my life in my own words before some self-serving writer pens a heap of rubbish about me after I'm gone from this earth.

My favorite untrue story ever written about me is that I once lived in a magnificent Arabian palace with tall towers and a long swimming pool filled with waters of sapphire blue. Each night, I descended its marble steps and swam from one end to the other, cooling my naked body, while castrated slaves in white turbans and loincloths pointed flaming torches to light my way.

What fabulous rubbish.

You already know that I am an actress and movie star. Some see me as a former screen siren, while others remember me as the dame who gave as good as she got with Duke. To some I'm the first woman swashbuckler, while others think of me as a pirate queen. I've done as many tearjerkers as I have movies with crazy stunts. I was once called "Frozen Champagne" and "Window Dressing," which still annoys me. I much preferred "Big Red" or "the Queen of Technicolor." Many women have written to me over the years and said that I've been an inspiration to them, a woman who could hold her own against the world. That's lovely. The great director John Ford paid me my favorite compliment by saying I was the best "effin' " actress in Hollywood.

Much of this story, though, is part of a public persona that was carefully sewn together, like a magnificent quilt, by the powerful Hollywood studio system. An entire publicity team had to see to it that at least one item about me was published every day. Many were total lies or studio publicity department inventions. Hollywood gossip queens like Louella Parsons and Hedda Hopper then built on these myths in their daily columns, which were read as Gospel by millions.

Of course, my loved ones know me in a far more intimate way. To them I'm just Mammy, Gran', or Auntie Maureen -- a lousy cook but one helluva cleaning lady.

I am and have been all of these things throughout my personal and professional lives, but no one of them defines me. Above all else, deep in my soul, I'm a tough Irishwoman.

Being an Irishwoman means many things to me. An Irishwoman is strong and feisty. She has guts and stands up for what she believes in. She believes she is the best at whatever she does and proceeds through life with that knowledge. She can face any hazard that life throws her way and stay with it until she wins. She is loyal to her kinsmen and accepting of others. She's not above a sock in the jaw if you have it coming. She is only on her knees before God. Yes, I am most definitely an Irishwoman.

My heritage has been my grounding, and it has brought me peace. Being tough and strong have always been my most dominant characteristics, like a fire that burns deep within me. I have always believed that I can do anything I set my mind to, as long as I'm willing to make the necessary sacrifices. I have called upon this fire to achieve my goals and survive whenever I felt my world come crashing down around me. In this way, I am like many of the women I've played on-screen.

And yet you will soon read about two events in my life that caused me to stumble and do exactly the opposite of what you and I…


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