The Andy Warhol Catalogue Raisonné

The sculpture and paintings of 19704 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (192887). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated. Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style; a dramatic shift from his 'hard' mechanical style of before 1968. The volume covers major sculptures, such as the Rain Machine , the series of paintings Mao and Man Ray , and commissioned portraits of important, celebrated and fashionable people of the day many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time.

Autorentext
Neil Printz, a specialist in 20th-century American art, is currently Editor of the Isamu Noguchi Catalogue Raisonné. He is Professor of Art History at Caldwell College in Caldwell, New Jersey.

Sally King-Nero is executive editor of the Warhol Catalogue Raisonné and Curator of Drawings and Photographs at the Andy Warhol Foundation for the Visual Arts in New York.

Klappentext
The third volume in the acclaimed multi-volume series presenting the most accurate and authoritative data on Andy Warhol ever assembled, including eagerly awaited scholarship

Inhalt
Andy Warhol Catalogue Raisonne, Volume 3 Paintings and Sculptures 1970-1974 Edited by Neil Printz ____________________________________________________________ ISBN 9780714856988 Retail Price GBP295.00/$US495.00/A395.00/$CA595.00/$AUS750.00 List Art Publication Month May 2010 Specifications Binding Hardback Extent 512 Trim Size Height (mm) * 250 Width (mm) * 290 Height (inches) * 9 7/8 Width (inches) * 11 3/8 Illustrations Colour Illustrations 700 B&W Illustrations 150 ____________________________________________________________ Short Description The sculpture and paintings of 1970-4 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928-87). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated. Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style; a dramatic shift from his 'hard' mechanical style of before 1968. The volume covers major sculptures, such as the Rain Machine, the series of paintings Mao and Man Ray, and commissioned portraits of important, celebrated and fashionable people of the day - many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time. ____________________________________________________________ Sales Points The third volume in the acclaimed multi-volume series presenting the most accurate and authoritative data on Andy Warhol (1928-87) ever assembled, including eagerly awaited new scholarship Includes 700 catalogued works, documenting his early paintings and sculpture made between 1970 and 1974 and incorporating newly discovered works as well as some previously thought to be lost Features constructions including the Rain Machine, the first Big Shot portraits, the Mao paintings, the Man Ray series and commissioned portraits of friends and celebrities Presents Warhol's return to painting in the early 1970s after giving it up after being shot in 1968, the great shift in his painting style and the range of his production alternating between large series and his flourishing international portrait practice ____________________________________________________________ Contributors ____________________________________________________________ Description This third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928-87) focuses on the years 1970 to 1974. With the authoritative writing and fascinating attention to detail of the first two volumes, Warhol's works of these four years are comprehensively catalogued and illustrated, with the exception of the drawings to be included in a subsequent volume. At the time this volume begins Warhol had been working at his second Factory, his studio at 33 Union Square West, since 1968 and his painting activity had not resumed since his recovery from having been shot that same year. He did not have a painting studio at this building until late 1971 or early 1972 and was instead concentrating on film and sculpture, including the Rain Machine, as discussed in Chapter One. It was the aquiring of his first Big Shot polaroid camera shifted his momentum back to painting again and he began to photograph his sitters, taking 25-100 shots, to capture a personality before beginning a painting. Portraits of key figures of the time demonstrate his development of his new painterly style, mature by late 1972. The Mao series was the first painting ser

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