Africas Struggle for Its Art

"Africa’s Struggle for Its Art, a highly readable and meticulously researched overview of the cultural-restitution debate in Europe. . . . A fascinating and highly recommended read for anyone interested in an often overlooked dynamic that continues to influence North–South relations."

Autorentext
Bénédicte Savoy is professor in the Department of Art History at the Technical University of Berlin and was professor at the Collège de France in Paris from 2016 to 2021. She is the coeditor of Translocations: Histories of Dislocated Cultural Assets; Acquiring Cultures: Histories of World Art on Western Markets; and The Museum Is Open: Towards a Transnational History of Museums. She is the author (with Felwine Sarr) of The Restitution of African Cultural Heritage: Toward a New Relational Ethics, known as the Sarr-Savoy Report. She lives in Berlin.

Klappentext
"First published in German under the title Afrikas Kampf um seine Kunst Geschichte einer postkolonialen Niederlage by Bâenâedicte Savoy. Copyright à Verlag C.H.Beck oHG, Mèunchen 2021"--Copyright page.

Zusammenfassung
A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers

For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.

Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.

Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.

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