The Walrus Was Paul

The Walrus Was Paul

Einband:
Kartonierter Einband
EAN:
9780684850627
Untertitel:
The Great Beatle Death Clues
Genre:
Musik
Autor:
R Gary Patterson
Herausgeber:
Gallery Books
Auflage:
Original edition
Anzahl Seiten:
208
Erscheinungsdatum:
29.10.1998
ISBN:
978-0-684-85062-7

A guide to the hoax that Paul McCartney was killed in an automobile accident in 1966 and replaced by a look-a-like

Jim Zippo ABC Radio Network The Walrus Was Paul is loaded...[with] mind-blowing stuff....The best Beatle book yet!

Autorentext
R. Gary Patterson teaches high school literature and lives with his wife, Delores, in Oliver Springs, Tennessee.

Klappentext
Once the bestselling title in the Beatlefest catalog, this is a fun, definitive book on the "Paul is dead" hoax surrounding Paul McCartney.192 pp.

Zusammenfassung
“Paul is dead.”

It was the late 1960s, the Beatles hadn’t toured since 1966, and some truly bizarre indications began appearing, pointing to the unthinkable: Paul McCartney had been killed in a car accident and replaced by a look-alike. The Walrus Was Paul unearths every single clue from one of rock ’n’ roll’s most enduring puzzles and takes you on a magical mystery tour of baffling, yet fascinating, hints for solving this mystery.

Test your “Paul is dead” trivia knowledge. Did you find and answer the following clues on the front cover?

To what song does the title, The Walrus Was Paul, refer?
-“I Am the Walrus,” which appeared on the clue-filled album Magical Mystery Tour.

There is an egg in Paul’s eye. Why?
-In the song “I Am the Walrus,” John Lennon sings, “I am the eggman...I am the walrus”—and later, in the song “Glass Onion,” we find out that, in fact, “the walrus was Paul.”

To what album (and richest source of “Paul is dead” clues) do the red, Victorian-style design elements on the front refer?
-Sgt. Pepper's Lonely Hearts Club Band

Why is the image of Paul McCartney on the cover blurry? Are there distinguishing characteristics that might lead you to conclude something is awry?
-Many photographs of Paul in these questionable years were blurry, and Paul had a mustache, which allegedly concealed the fact that this was not Paul and the plastic-surgery scars were being hidden from his curious public.

The anagram on the bottom of the cover refers to a Greek island where John Lennon had what planned?
-The island Leso is the “hidden Greek island” on which John Lennon planned to bury Paul, and it is spelled out as “Be at Leso” on the cover of Sgt. Pepper's Lonely Hearts Club Band.

Leseprobe
Chapter One: I Buried Paul

THE BRITISH INVASION AND THE AMERICAN MASS MEDIA

The Beatles were the musical messiahs of the turbulent sixties. John Lennon, Paul McCartney, George Harrison, and Ringo Starr led the British invasion that overran America´s youth. No other British force, from Henry Clinton and George Cornwallis to Sir Edward Pakenham, accomplished so convincing a victory upon American soil. The method of conquest was not with fire and sword, but with electric guitars, amplifiers, and fab songs that infected every American household with the Mersey Beat.

American television, that unsuspecting British ally, innocently brought the Beatles into our living rooms on February 9, 1964, mainly due to the foresight of Ed Sullivan. But not even Sullivan, the promoter who introduced the American public to the likes of Robert Goulet and Elvis, foresaw the tidal wave that was about to hit American shores.

On that peaceful winter night, the home-viewing audience was said to have numbered well over seventy-three million Americans. Although a veteran of the television wars, Ed Sullivan must have been amazed that this British group was such a huge draw. Elvis Presley had set the record for the highest number of studio tickets requested: over seven thousand for his appearance in 1958. In what was a foreshadowing of things to come, the show had received over sixty thousand requests for tickets to the Beatle performance. Though some sources maintain that the television studio´s seating capacity was only seven hundred, eight hundred tickets were given out through an impartial drawing, and those breathless individuals, chosen by fate, became live witnesses to the surrender of American youth.

The Beatles´ form of rock and roll blazed like wildfire through record stores and television dance shows (American Bandstand; Ready, Steady, Go!; Hullabaloo; and Shindig). A new culture and art form, one that America sorely needed, was born.

The Beatles´ moptop haircuts, Nehru jackets, and Cuban-heeled boots, not to mention their tight harmonies and melodies, helped combat the grief of a country still reeling from the untimely assassination of John F. Kennedy -- the president who, more than any other, symbolized an era of youth, hope, and opportunity.

Unfortunately, rock and roll proved to be just as susceptible to the same tragedies that seemed to infuse so many other aspects of American life during the sixties. On February 3, 1959, just a few miles outside Clear Lake, Iowa, Buddy Holly, Ritchie Valens, and the Big Bopper perished in a fiery plane crash. The next year, Eddie Cochran died of injuries received in an automobile accident on April 17, 1960. Holly, Valens, the Big Bopper, and Cochran had all died tragically at the very height of their fame. On October 12, 1969 radio call-in lines across the country were backlogged with urgent requests from hysterical fans who demanded an answer to the same question: Had Beatle Paul McCartney died, too?

On October 12, 1969, Russ Gibb, disk jockey for Detroit´s underground station WKNR-FM, received the phone call that would launch an unprecedented outbreak of hysteria throughout the pop world. The caller, who gave his name only as Tom, suggested that Gibb listen carefully to the fadeouts of certain Beatle songs. The Beatles´ Abbey Road had just been released, but this early investigation concentrated on "Revolution 9" from The Beatles (the White Album) as well as the muffled murmuring at the conclusion of "Strawberry Fields Forever." As Gibb listened intently, he heard what seemed to be a number of references that seemed to suggest that Paul McCartney had met with an untimely end.

Many claim that one of the first written reports of the "Paul is dead" rumor was an article written by Tim Harper that appeared in a college newspaper in Des Moines, Iowa, on September 17, 1969. The article, "Is Paul Dead?" also appeared in the Chicago Sun-Times on October 21, 1969. WABC-AM (New York City) DJ Robey Younge also remembered receiving mysterious calls from some of his listeners begging him to help get the tragic story to the outside world. WABC-AM was a powerful station, especially at night, and could sometimes reach forty states with its broadcast signal. In an exclusive interview with my friend Joe Johnson for his syndicated Beatle Brunch radio program, Younge recounted his role in the McCartney mystery. "´Paul McCartney dead´ is something I did one strange night after some kids had called me up from the Midwest, ´cause I was on the late night show and the signal went all across the country. They said this, that, and the other. They said, ´Here are the clues,´ and I laughed at them. I went on the air that night and I laughed at them. I said, ´This is ridiculous.´ That night I went home and couldn´t sleep. I couldn´t get any rest. I thought, ´What are these kids talking about? What clues?´ So, I went to my record cabinet and I started playing these records backwards as they had instructed me to and, sure enough, there emerged some very strange stuff....It was a big game in those days to uncover the clues. The kids told me, ´We hear you coming through loud and clear, why don´t you blow the whistle on this?´ So, I did. Oddly enough, on that same ni…


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