Opera in the Age of Rousseau

Informationen zum Autor fm.author_biographical_note1 Klappentext A wide-ranging account of opera on stage and in society in the age of Rousseau! from Rameau to Gluck. 'The result of over a decade's research into the operatic culture of Louis XV's reign and a lifetime of careful scholarship.' Times Literary Supplement Zusammenfassung David Charlton's book provides the first detailed account of opera in the society of Louis XV! from Rameau to Gluck. Offering many new perspectives on opera's development and Rousseau's contributions to it! the book will be essential to those with interests in music! theatre! literature and pre-Revolution culture. Inhaltsverzeichnis Part I. Princely Theatre: 1. Palaces and patronage: Le Devin and the 1754 Alceste; 2. Acting: from convention to discipline; 3. The Opera: cycles versus changes; 4. The reality of pastoral! 1742-52; 5. Le Devin du Village: a contextual enquiry; Part II. Opinion: 6. Opera as a subject of debate; 7. The Querelle: 'two ridiculous theses'; 8. Visions of reform; Part III. Italian Opera for Paris: 9. Travelling opera; 10. 'A real kick in the backside': Bambini's performances and their effect; 11. Creative consequences; Part IV. Towards European Integration: 12. New generations! new tastes; 13. In three acts: from Zaide to Les Paladins; 14. In three acts: the replacement of Rameau.

Autorentext
David Charlton is Professor Emeritus, Music History, at Royal Holloway, University of London. He is a regular contributor to conferences and has sat on the Council of the Royal Musical Association and the Comité International Hector Berlioz. He has published widely on the history of opera and his books include Grétry and the Growth of Opéra-Comique (1986), E. T. A. Hoffmann's Musical Writings (1989), French Opera, 1730 1830 (2000) and The Cambridge Companion to Grand Opera (as editor, 2003).

Klappentext
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.

Zusammenfassung
David Charlton's book provides the first detailed account of opera in the society of Louis XV, from Rameau to Gluck. Offering many new perspectives on opera's development and Rousseau's contributions to it, the book will be essential to those with interests in music, theatre, literature and pre-Revolution culture.

Inhalt
Part I. Princely Theatre: 1. Palaces and patronage: Le Devin and the 1754 Alceste; 2. Acting: from convention to discipline; 3. The Opéra: cycles versus changes; 4. The reality of pastoral, 1742 52; 5. Le Devin du Village: a contextual enquiry; Part II. Opinion: 6. Opera as a subject of debate; 7. The Querelle: 'two ridiculous theses'; 8. Visions of reform; Part III. Italian Opera for Paris: 9. Travelling opera; 10. 'A real kick in the backside': Bambini's performances and their effect; 11. Creative consequences; Part IV. Towards European Integration: 12. New generations, new tastes; 13. In three acts: from Zaïde to Les Paladins; 14. In three acts: the replacement of Rameau.

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