Untertitel:
Matter, Sensation, and Experience
Herausgeber:
Cambridge University Press
Erscheinungsdatum:
04.01.2013
Traces the origins of aesthetic thought across a range of art forms from before Homer down to the fourth century.
Autorentext
James I. Porter is Professor of Classics at the University of California, Irvine. Recent publications include Classical Pasts: The Classical Traditions of Greece and Rome (edited, 2006), and The Invention of Dionysus: An Essay on the Birth of Tragedy (2000).
Zusammenfassung
This book traces the origins of aesthetic thought and inquiry across a range of art forms as they evolved from before Homer down to the fourth century and then into later antiquity. It argues that Greek aesthetics originated in an attention to the senses and to matter rather than formalism and idealism.
Inhalt
Introduction; Part I. Foundations: Aesthetics, Formalism, and Materialism: 1. Aesthetic thought in antiquity; 2. Form and formalism; 3. Matter and appearances; Part II. The Nascent Aesthetic Languages of the Sixth to Fourth Centuries BCE: 4. The rise of aesthetic reflection in the fifth century; 5. The evidence of Aristophanes and Gorgias; 6. The music of the voice; 7. The voice of music; 8. Visual experience; Part III. Broader Perspectives: 9. Sublime monuments in ancient aesthetics; Epilogue.
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