Camb Comp to Gilbert and Sullivan

Investigating the fascinating worlds and memorable work of Gilbert and Sullivan, this Companion provides a fresh approach to their musical legacy and enduring popularity. Written by an international team of specialists, and featuring a personal account by film director Mike Leigh, the book is perfect for enthusiasts and students alike.

An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.

Autorentext
David Eden is a former Chairman of the Sir Arthur Sullivan Society and is currently editor of its Magazine. Meinhard Saremba is a freelance author and broadcaster.

Klappentext
A fresh approach to their musical legacy and enduring popularity, written by a team of specialists, and featuring a personal account by film director Mike Leigh.


Inhalt
Preface David Eden and Meinhard Saremba; Part I. Background: 1. Savoy Opera and its discontents: the theatrical background to a quarrel David Eden; 2. Identity crisis and the search for English opera: the Savoy Theatre in the 1890s William Parry; 3. Resituating Gilbert and Sullivan: the musical and aesthetic context Benedict Taylor; 4. 'We sing as one individual'?: popular misconceptions of 'Gilbert and Sullivan' Meinhard Saremba; Part II. Focus: 5. The operas in context: stylistic elements the Savoy and beyond Richard Silverman; 6. The librettos in context: Gilbert's 'Fables in Song' Horst Dölvers; 7. 'This particularly rapid, unintelligible patter': patter songs and the word-music relationship Laura Kasson Fiss; 8. Standing still and moving forward: The Mikado, Haddon Hall, and concepts of time in the Savoy Operas Michael Beckerman; 9. Musical contexts I: motives and methods in Sullivan's allusions James Brooks Kuykendall; 10. Musical contexts II: characterisation and emotion in the Savoy Operas Martin T. Yates; Part III. Reception: 11. Topsy-Turvy: a personal journey Mike Leigh; 12. Amateur tenors and choruses in public: the amateur scene Ian Bradley; 13. Champions and aficionados: amateur and listener experiences of the Savoy Operas in performance Stephanie Pitts; 14. 'How great thy charm, thy sway how excellent!': tracing Gilbert and Sullivan's legacy in the American musical Raymond Knapp; 15. 'See how the Fates their gifts allot': the reception of productions and translations in Continental Europe Jana Polianovskaia; Part IV. Into the Twenty-First Century: 16. Adventures in musical detection: scholarship, editions, productions and the future of the Savoy Operas David Russell Hulme; Appendix 1: Alphabetical list of stage and choral works by Arthur Sullivan and W. S. Gilbert; Appendix 2: Modern editions of works by Arthur Sullivan and W. S. Gilbert.

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