Herausgeber:
Cambridge University Press
Erscheinungsdatum:
01.10.2014
Klappentext
Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
Inhalt
List of documents; General editors' preface; Editor's preface; General introduction; Denmark, 1746-1889 Peter Bilton: 1. Legislation and administration 1746-70; 2. The audience in 1771; 3. Acting and stage management 1773-1843; 4. Under the ministry of culture 1849-89; Sweden, 1765-1900 Peter Bilton: 1. The Gustavian period 1765-90; 2. The Royal monopoly 1790-1810; 3. Management and acting at the Royal Theatres 1796-1841; 4. The Nya teaternz and change in the Royal Theatre 1842-68; 5. Nationalisation vs private management 1870-1900; Norway, 1825-1909 Peter Bilton: 1. Stromberg's theatre in Christiania 1825-32; 2. The new theatre in Christiania 1835-40; 3. The first Bergen venture 1849-63; 4. Pro-Norwegian activity in Christiania 1847-65; 5. The national stage in Bergen 1872-1909; 6. Management and enlarging the Christiania theatre 1874-87; Poland, 1765-1830 Karyna Wierzbicka-Michalska: 1. The first National Theatre 1765-74; 2. The repertory expands 1778-1808; 3. Improvements in administration and acting 1810-16; 4. The government takes over 1821-9; Czech Lands (Bohemia and Moravia), 1784-1881 Barbara Day: 1. The Nostiz and Bouda Theatres 1784-93; 2. The Theatre of the Estates 1814-35; 3. The Cajetan Theatre and the theatre in Ruzova Street 1835-45; 4. Tyl's leadership and its oppostition 1846-50; 5. The move for a national theatre 1851-81; Hungary, 1810-38 George Bisztray: 1. Canvasing for a national theatre 1810-27; 2. Building and managing a national theatre 1832-8; Romania, 1818-53 Bogdan Mischiu: 1. Early Romanian-language performances in Bucharest 1818-19; 2. The Philharmonic Society of Bucharest 1834-7; 3. Establishing a state theatre in Bucharest 1840-52; 4. The theatre in Jassy 1832-46; Russia, 1812-98 Laurence Senelick: 1. Establishment of a post-Napoleonic Russian theatre 1812-20; 2. Acting 1810-50; 3. Gogol' and the call for a new repertoire 1836-42; 4. Staging and management 1839-50; 5. The advent of Ostrovsky 1855-60; 6. Actor training 1850-90; 7. Imperial theatres 1855-1910; 8. Provincial, private and people's theatres 1870-97; 9. Foundation of the Moscow Art Theatre 1897-8; Bibliography; Scandinavia: general; Denmark; Sweden; Norway; Poland; Czech Lands; Hungary; Romania; Russia Index.
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