The Piscator Notebook

Zusatztext 'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years. Highly recommended.' M.D. Whitlatch! CHOICE magazine Informationen zum Autor Malina, Judith Klappentext The Piscator Notebook is a political and professional autobiography which bridges the work of two iconic figures: Erwin Piscator, who pioneered `epic theatre with Brecht; and Judith Malina, co-founder of the extraordinarily influential Living Theatre. This is Malinäs account, and analysis, of her time as Piscator s student. It is a compelling record of the genealogy of political theatre from Europe to the US and back again. Zusammenfassung 'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' - CHOICEJudith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture! Erwin Piscator! in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York! having collaborated with Brecht to create "epic theatre" in Germany.The Piscator Notebook documents Malina's intensive and idiosyncratic training at Piscator's school. Part diary! part theatrical treatise! this unique and inspiring volume combines:complete transcriptions of Malina's diaries from her time as a student at the Dramatic Workshop! as well as reproductions of various of Piscator's syllabi and teaching materials;notes on Malina's teachers! fellow students - including Marlon Brando and Tennessee Williams - and New School productions;studies of Piscator's process and influence! along with a new essay on the relationship between his teaching! Malina's work with the Living Theatre and "The Ongoing Epic";an introduction by performance pioneer! Richard Schechner.The Piscator Notebook is a compelling record of the genealogy of political theatre practice in the early 20th Century! from Europe to the US. But it is also a stunningly personal reflection on the pleasures and challenges of learning about theatre! charged with essential insights for the student and teacher! actor and director.'Piscator is the greatest theatre man of our time.' - Bertolt Brecht Inhaltsverzeichnis Foreword: by Richard Schechner Part 1: Weimar to The Dramatic Workshop Personal History Erwin Piscator: Germany to New York City The Founding of The Dramatic Workshop, 1940 The Studio Theatre The Teachers of Piscator s School Margrit Wyler Reiken Ben-Ari Chouteau Dyer Leo Kerz Paul Zucker Gloria Montemuro Alexander Ince Hans Sondheimer Henry Wendriner The Students George Bartenieff Anna Berger Sylvia Miles Marlon Brando Bea Arthur Howard Friedman Piscator s Students My Personal Struggle to Enter The Dramatic Workshop Valeska Gert Lunar Bowels: an Audition Piece Part 2: The Notebook Part 3: The Ongoing Epic End of the Notebook and First Workshop Plays Julian Beck By Any Other Name and Maurice Schwartz s Yiddish Art Theatre Piscator s Basic Question: The Role of the Audience Becoming a Director: A Confession The Inspiration of Joseph Urban s Architecture Eleanor Fitzgerald The Classes The March of Drama Theatre Research Theatre Research Critique The Plays The Sheepwell (Fuente Ovejuna) Franklin Roosevelt s Death Lysistrata The Spook Sonata Hannele s Way to Heaven The Aristocrats Agamemnon The Circle of Chalk The Flies Tonight We Improvise Pirandello: Breaking into the Audience Kandinsky s Grea...

Autorentext
Malina, Judith

Klappentext
The Piscator Notebook is a political and professional autobiography which bridges the work of two iconic figures: Erwin Piscator, who pioneered 'epic theatre' with Brecht; and Judith Malina, co-founder of the extraordinarily influential Living Theatre. This is Malina's account, and analysis, of her time as Piscator's student. It is a compelling record of the genealogy of political theatre from Europe to the US and back again.

Inhalt
Foreword: by Richard SchechnerPart 1: Weimar to The Dramatic WorkshopPersonal History Erwin Piscator: Germany to New York CityThe Founding of The Dramatic Workshop, 1940The Studio TheatreThe Teachers of Piscator's SchoolMargrit WylerReiken Ben-AriChouteau DyerLeo KerzPaul ZuckerGloria MontemuroAlexander InceHans SondheimerHenry WendrinerThe StudentsGeorge BartenieffAnna BergerSylvia MilesMarlon BrandoBea ArthurHoward FriedmanPiscator's StudentsMy Personal Struggle to Enter The Dramatic WorkshopValeska GertLunar Bowels: an Audition PiecePart 2: The NotebookPart 3: The Ongoing EpicEnd of the Notebook and First Workshop Plays Julian BeckBy Any Other Name and Maurice Schwartz's Yiddish Art TheatrePiscator's Basic Question: The Role of the AudienceBecoming a Director: A ConfessionThe Inspiration of Joseph Urban's ArchitectureEleanor FitzgeraldThe ClassesThe March of DramaTheatre ResearchTheatre Research CritiqueThe PlaysThe Sheepwell (Fuente Ovejuna)Franklin Roosevelt's DeathLysistrataThe Spook SonataHannele's Way to HeavenThe AristocratsAgamemnonThe Circle of ChalkThe Flies Tonight We Improvise - Pirandello: Breaking into the AudienceKandinsky's Great InsightPiscator and the AudienceObjective ActingBetween Two WorldsPiscator: Success and FailurePiscator's Return to Germany - and to BerlinEric BentleyPiscator's InfluencePiscator's Influence: The Work of The Living TheatreAfterword: Political Theatre, Theatrical Politics: Epic Theatre in the 21st Century

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