The Sandcastle Girls

The Sandcastle Girls

Einband:
Poche format B
EAN:
9780307743916
Untertitel:
Englisch
Genre:
Belletristik & Unterhaltung
Autor:
Christopher Bohjalian
Herausgeber:
Random House N.Y.
Anzahl Seiten:
320
Erscheinungsdatum:
16.04.2013
ISBN:
0307743918

Zusatztext 73350486 Informationen zum Autor CHRIS BOHJALIAN is the #1 New York Times bestselling author of twenty-three books, including Hour of the Witch, The Red Lotus, Midwives, and The Flight Attendant, which has been made into an HBO Max limited series starring Kaley Cuoco. His other books include The Guest Room; Close Your Eyes, Hold Hands; The Sandcastle Girls; Skeletons at the Feast; and The Double Bind. His novels Secrets of Eden, Midwives, and Past the Bleachers were made into movies, and his work has been translated into more than thirty-five languages. He is also a playwright ( Wingspan and Midwives ). He lives in Vermont and can be found on Facebook, Instagram, Twitter, Litsy, and Goodreads, @chrisbohjalian Klappentext From the bestselling author of Midwives! here is a sweeping historical love story that probes the depths of love! family! and secrets amid the Armenian Genocide during WWI.When Elizabeth Endicott arrives in Aleppo! Syria! she has a diploma from Mount Holyoke! a crash course in nursing! and only the most basic grasp of the Armenian language. It's 1915! and Elizabeth has volunteered to help deliver food and medical aid to refugees of the Armenian Genocide during the First World War. There she meets Armen! a young Armenian engineer who has already lost his wife and infant daughter. After leaving Aleppo and traveling into Egypt to join the British Army! he begins to write Elizabeth letters! realizing that he has fallen in love with the wealthy young American. Years later! their American granddaughter! Laura! embarks on a journey back through her family's history! uncovering a story of love! loss-and a wrenching secret that has been buried for generations. Chapter 1 The young woman, twenty-one, walks gingerly down the dusty street between her father and the American consul here in Aleppo, an energetic fellow almost her father's age named Ryan Donald Martin, and draws the scarf over her hair and her cheeks. The men are detouring around the square near the base of the citadel because they don't yet want her to see the deportees who arrived here last night--there will be time for that soon enough--but she fears she is going to be sick anyway. The smell of rotting flesh, excrement, and the July heat are conspiring to churn her stomach far worse than even the trip across the Atlantic had weeks earlier. She feels clammy and weak-kneed and reaches out for her father's elbow to steady herself. Her father, in turn, gently taps her fingers with his hand, his vague and abstracted attempt at a comforting gesture. Miss Endicott, do you need to rest? You look a little peaked, the consul says, and she glances at him. His brown eyes are wide and a little crazed, and already there are thin rivulets of sweat running down both sides of his face. He is wearing a beige linen jacket, which she imagines to be infinitely more comfortable than her father's gray woolen suit. She brings her free hand to her own face and feels the moisture there. She nods in response to his question; she does need to sit, though it embarrasses her to admit this. Still, it may be a nonissue. She can't see where she might on this squalid street. But Ryan quickly takes her arm and guides her from her father, leading her to a stoop on the shady side of the thin road. He wipes off the squat step with his bare hand. There is a ramshackle wooden door behind the stoop, shut tight against the midmorning heat, but she presumes that whoever lives there won't mind if she sits. And so there she rests and breathes in deeply and slowly through her mouth, watching the women in their headscarves and long, loose robes--some hide all but their eyes behind burqas--and the men in their ornate blazers, their voluminous, shapeless trousers, and their flowerpot-like fez hats. Some of the men glance at her sympathetically as they pass, others w...

ldquo;A deeply moving story of survival and enduring love.” —USA Today  
  
“Bohjalian deftly weaves the many threads of this story back and forth, from past to present, from abuse to humanity, from devastation to redemption. . . . Utterly riveting.” —The Washington Post
  
“Chris Bohjalian is at his very finest in this searing story of love and war. I was mesmerized from page one. Bravo!” —Paula McLain, author of The Paris Wife 
 
“Bohjalian—the grandson of Armenian survivors—pours passion, pride, and sadness into his tale of ethnic destruction and endurance.” —Entertainment Weekly

“Dead-solid perfect. Bohjalian is a literary novelist unafraid to reference Proust's madeleine and expect readers to get it. But his books are also filled with artfully drawn characters and great, passionate storytelling. The Sandcastle Girls is all that, but different, more powerful.” —The Seattle Times

“In his latest novel, master storyteller Chris Bohjalian explores the ways in which our ancestral past informs our contemporary lives—in ways we understand and ways that remain mysteriously out of reach. The Sandcastle Girls is deft, layered, eye-opening, and riveting. I was deeply moved.” —Wally Lamb, author of The Hour I First Believed 
 
“A searing, tightly woven tale of war and the legacy it leaves behind. . . . A nuanced, sophisticated portrayal of what it means not only to endure, but to insist on hope.” —Oprah.com


“It takes a talented novelist to combine fully ripened characters, an engrossing storyline, exquisite prose and set it against a horrific historical backdrop—in this case, the Armenian Genocide—and completely enchant readers. The prolific and captivating Chris Bohjalian has done it all with The Sandcastle Girls.” —Associated Press

“The scope of The Sandcastle Girls is almost epic. . . . While there are the rich personal stories that his readers connect to, what he has achieved is much larger. Bohjalian has written a compelling and powerful novel that will bring the history of the genocide to a wide audience. The Sandcastle Girls will remain ingrained in your consciousness.” —The Armenian Weekly 

“[A] great read. . . . Affecting.” —People

"This book is a masterfully written story of war and love and is especially meaningful as we approach the centennial observance of the 1915 Armenian genocide." —Louisville Courier-Journal
 

“A compelling new novel that is part love story, part history lesson. . . . An eye-opening tale of longing and discovery. . . . A bittersweet reflection on hope even in the darkest circumstances. . . . [The Sandcastle Girls] is about the ways the past informs the present, about the pain but also the richness of heritage.” —The Miami Herald


“Bohjalian succeeds in depicting the horror, without sentimentalizing it. . . . He has fulfilled the duty of anyone seeking to document a genocide—he ensures that we don’t look away.” —The Boston Globe

“An unforgettable exposition of the still too-little-known facts of the Armenian genocide and its multigenerational consequences.” —Kirkus Reviews (starred review) 


“Touching and believable, adding a softer dimension to what is at times a brutal story.” —The Vancouver Sun

“Bohjalian powerfully narrates an intricately nuanced romance with a complicated historical event at the forefront. With the centennial of the Armenian genocide fast approaching, this is not to be missed. Simply astounding.” —Library Journal (starred review) 


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