Mods, Rockers, and the Music of the British Invasion

Informationen zum Autor JAMES E. PERONE is Associate Professor of Music at Mount Union College. His previous bio-bibliographies include Howard Hanson (Greenwood, 1992) and Elvis Costello (Greenwood, 1998). He is also the author of a number of bibliographies including Musical Anthologies for Analytical Study (Greenwood, 1992), Orchestration Theory (Greenwood, 1996), Harmony Theory (Greenwood, 1997), and Form and Analysis Theory (Greenwood, 1998). Klappentext Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop - and more specifically British rock and roll - had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally.May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States.The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time. Zusammenfassung In addition to analyzing the music in the context of the British youth culture of the early 1960s! the author analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. It also includes examines contributions of Cliff Richard! Tommy Steele! the Tornados! and Tony Sheridan. Inhaltsverzeichnis Acknowledgments1. Introduction: The Mods versus the Rockers2. Skiffle and 1950s British Rockers3. 1960-1963: From the Rocker Aesthetic to the Mod Aesthetic4. The Beatles and Merseybeat: Balancing the Sides5. A Different Sort of Balance: the Dave Clark Five6. The Who and the Kinks: Mod to the Core7. The Blues and R&B Bands8. The Rolling Stones: It All Starts with the Blues9. And Thats Not All: Other British Invasion Artists10. Impact on America and ConclusionsSelected DiscographyBibliography...

Klappentext
Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop - and more specifically British rock and roll - had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.

Zusammenfassung
In addition to analyzing the music in the context of the British youth culture of the early 1960s, the author analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. It also includes examines contributions of Cliff Richard, Tommy Steele, the Tornados, and Tony Sheridan.

Inhalt
Acknowledgments 1. Introduction: The Mods versus the Rockers 2. Skiffle and 1950s British Rockers 3. 1960-1963: From the Rocker Aesthetic to the Mod Aesthetic 4. The Beatles and Merseybeat: Balancing the Sides 5. A Different Sort of Balance: the Dave Clark Five 6. The Who and the Kinks: Mod to the Core 7. The Blues and R&B Bands 8. The Rolling Stones: It All Starts with the Blues 9. And Thats Not All: Other British Invasion Artists 10. Impact on America and Conclusions Selected Discography Bibliography

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