Autor:
Michael L Klein, Patrick McCreless
Herausgeber:
Indiana University Press
Erscheinungsdatum:
06.07.2015
Informationen zum Autor Michael L. Klein, Patrick McCreless, Patrick McCreless Klappentext Michael Klein is Professor of Music Studies at Temple University. He is author of Intertextuality in Western Art Music (IUP, 2004) and editor (with Nicholas Reyland), of Music and Narrative since 1900 (IUP, 2012). Zusammenfassung By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. Inhaltsverzeichnis Acknowledgements Introduction 1. Music and the Symptom 2. The Acoustic Mirror as Formative of Auditory Pleasure and Fantasy: Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" 3. Debussy and the Three Machines of the Proustian Narrative 4. Chopin Dreams: the Mazurka in C# Minor as Sinthome Intermezzo: On Agency 5. Postmodern Quotation, the Signifying Chain, and the Erasure of History 6. Lutos awski, Molar and Molecular Works Cited Index
Autorentext
Michael L. Klein, Patrick McCreless, Patrick McCreless
Klappentext
Michael Klein is Professor of Music Studies at Temple University. He is author of Intertextuality in Western Art Music (IUP, 2004) and editor (with Nicholas Reyland), of Music and Narrative since 1900 (IUP, 2012).
Zusammenfassung
By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.
Inhalt
Acknowledgements
Introduction
1. Music and the Symptom
2. The Acoustic Mirror as Formative of Auditory Pleasure and Fantasy: Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant"
3. Debussy and the Three Machines of the Proustian Narrative
4. Chopin Dreams: the Mazurka in C# Minor as Sinthome
Intermezzo: On Agency
5. Postmodern Quotation, the Signifying Chain, and the Erasure of History
6. Lutos awski, Molar and Molecular
Works Cited
Index
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