Untertitel:
Spoils, Captives, and Representations in the Roman Triumphal Procession
Herausgeber:
Oxford Academic
Erscheinungsdatum:
21.05.2009
Zusatztext This is a thoroughly researched, user-friendly, and well-written book that will doubtless prove the standard reference work on its particular aspect of the Roman triumph for many years to come. Informationen zum Autor Ida Ostenberg is Assistant Professor, Department of Historical Studies, University of Gothenburg. Klappentext An illustrated study of the Roman triumphal procession which asks the questions: What was displayed? How was it paraded? What was the response? Ida Ostenberg analyses the stories the Roman triumph told about the defeated and the ideas it transmitted about Rome itself. Zusammenfassung Staging the World is an illustrated study of the Roman triumphal procession in its capacity as spectacle and performance. Ida Ostenberg analyses how Rome presented and perceived the defeated on parade. Spoils, captives, and representations are the objects, and the basic questions to be asked concern both contents and context: What was displayed? How was it paraded? What was the response? The triumph was a crowded civic celebration, when spectators met with coins from Spain and Asia, Jewish temple treasures, silver plate and furniture from opulent royal feasts, trees from eastern gardens, Punic elephants appearing as in battle, kings, long known by name only, and ferocious barbarians dressed in outlandish costumes. Ostenberg aims to show what stories the Roman triumph told about the defeated and what ideas it transmitted about Rome itself.
Autorentext
Ida Ostenberg is Assistant Professor, Department of Historical Studies, University of Gothenburg.
Klappentext
An illustrated study of the Roman triumphal procession which asks the questions: What was displayed? How was it paraded? What was the response? Ida Ostenberg analyses the stories the Roman triumph told about the defeated and the ideas it transmitted about Rome itself.
Zusammenfassung
Staging the World is an illustrated study of the Roman triumphal procession in its capacity as spectacle and performance. Ida Ostenberg analyses how Rome presented and perceived the defeated on parade. Spoils, captives, and representations are the objects, and the basic questions to be asked concern both contents and context: What was displayed? How was it paraded? What was the response? The triumph was a crowded civic celebration, when spectators met with coins from Spain and Asia, Jewish temple treasures, silver plate and furniture from opulent royal feasts, trees from eastern gardens, Punic elephants appearing as in battle, kings, long known by name only, and ferocious barbarians dressed in outlandish costumes. Ostenberg aims to show what stories the Roman triumph told about the defeated and what ideas it transmitted about Rome itself.
Inhalt
1. Introduction; 2. Spoils; 3. Captives; 4. Representations; 5. Staging the World
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