Theodor Geisel

Theodor Geisel

Einband:
Fester Einband
EAN:
9780195323023
Untertitel:
A Portrait of the Man Who Became Dr. Seuss
Genre:
Sprach- und Literaturwissenschaften
Autor:
Donald E Pease
Herausgeber:
OXFORD UNIV PR
Anzahl Seiten:
192
Erscheinungsdatum:
10.03.2010
ISBN:
978-0-19-532302-3

Dr. Seuss's infectious rhymes, fanciful creatures, and roundabout plots not only changed the way children read but imagined the world. And to Think That I Saw It On Mulberry Street, Green Eggs and Ham,The Cat and the Hat, these and other classics have sold hundreds of millions of copies and entertained children and adults for decades. After graduating from Dartmouth, Theodor Geisel used his talents as an ad-man, political provocateur, and social satirist, gradually but irrevocably turning to children's books. Theodor SEUSS Geisel tells the unlikely story of this remarkable transformation. In this compact and engrossing biography, Donald Pease reveals the evolution of Dr. Seuss's creative persona while offering an honest appraisal of his life. The book also features many of Dr. Seuss's lesser-known illustrations, including college drawings, insecticide ads, and wartime political cartoons-all of which offer a glimpse of his early artistic style and the visual origins of the more famous creatures that later populated his children's books. As Pease traces the full arc of Dr. Seuss's prolific career, he combines close textual readings of many of Dr. Suess's works with a unique look at their genesis to shed new light on the enduring legacy of America's favorite children's book author.

Fascinating.

Autorentext
Donald E. Pease is Professor of English, Comparative Literature, and African-American Literature at Dartmouth, the Avalon Foundation Chair of the Humanities, the Founding Director of the Futures of American Studies Institute at Dartmouth, and the Chair of the Dartmouth Liberal Studies Program. Awarded the Ted and Helen Geisel Chair in the Humanities at Dartmouth College in 1990, Pease has since become an authority on Geisel's work, selected to give a keynote address at the ceremony celebrating the opening of the Geisel Library at the University of California at San Diego.

Klappentext
Donald E. Pease captures the life of Theodor Geisel in full, offering fresh insights into the sources of Geisel's creativity, from his surreal images and his anti-authoritarian stance to his slapstick humor.

Zusammenfassung
Dr. Seuss' infectious rhymes, his blue-tufted, strong-willed creatures, and his knack for pithy, roundabout plots have been entertaining children and adults for decades. And as Donald Pease shows in this marvelous biography, the seemingly haphazard trajectory of Theodor Geisel's life bears a close resemblance to the zigzag plot lines of his children's books. Here is an engaging look at a man who indeed lived a zigzag life, by turns a cartoonist, ad agency artist (for Flit bug killer), author, caricaturist, documentary-film writer and producer, political cartoonist, and editor. Pease follows Geisel's life from his childhood in Massachusetts, to his sacking from the editorship of Dartmouth's humor magazine, to the publication of And to Think That I Saw It on Mulberry Street--after 17 rejections--which finally launched him on the career for which he is best known. It was a career marked by whimsy. Geisel began work on Green Eggs and Ham, for instance, only after Bennett Cerf, his editor at Random House, wagered that he could not write a children's book that used no more than fifty different words. Geisel won, and the result was a series of works over the next ten years--How the Grinch Stole Christmas!, Yertle the Turtle, The Sneetches and Other Stories, Hop on Pop--that changed the way children everywhere learned to read. Given unprecedented access to Dartmouth's extensive Geisel holdings, Pease captures this life in full as he offers fresh insights into the sources of Geisel's creativity, from his surreal images to his anti-authoritarian stance and slapstick humor. Readers are treated to many lesser-known illustrations, such as his censored creations during college, insecticide ads, and wartime political cartoons--all of which offer a glimpse of his early artistic style and the visual origins of the more famous creatures that later populated his children's books.


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