The Oxford Handbook of Country Music

Country music studies is a thriving interdisciplinary field. The Oxford Handbook of Country Music draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.

Informationen zum Autor Travis D. Stimeling is an Assistant Professor of music history at West Virginia University. He has published two previous books with Oxford University Press: Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene (2011; paperback ed., 2016) and The Country Music Reader (2014). He served as a Senior Editor for The Grove Dictionary of American Music, 2nd Edition. Klappentext Country music studies is a thriving interdisciplinary field. The Oxford Handbook of Country Music draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research. Zusammenfassung Country music studies is a thriving interdisciplinary field. The Oxford Handbook of Country Music draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research. Inhaltsverzeichnis CONTENTS CONTRIBUTORS INTRODUCTION: Situating Country Music Studies Travis D. Stimeling Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies Erika Brady Chapter 2: The "Southernness" of Country Music Patrick Huber Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History Diane Pecknold Chapter 4: Country Music as Cultural Practice Clifford R. Murphy Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities Jada Watson Chapter 6: On the Notion of "Old-Time" in Country Music Greg Reish Chapter 7: Country Music and Recording Practice Travis D. Stimeling Chapter 8: The Singing Voice in Country Music Stephanie Vander Wel Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar Tim Sterner Miller Chapter 10: Country Music and the Recording Industry Charles L. Hughes Chapter 11: Country Radio: The Dialectic of Format and Genre Eric Weisbard Chapter 12: Country Music and Television Tracey E.W. Laird Chapter 13: Country Music and Film Barry Mazor Chapter 14: The Sociology of Country Music Richard Lloyd Chapter 15: Class in Country Music Leigh H. Edwards Chapter 16: Race in Country Music Scholarship Olivia Carter Mather Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender Kristine M. McCusker Chapter 18: Sexuality in Country Music Pamela Fox Chapter 19: On the Sacred in Country Music Stephen Shearon Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music Caroline Gnagy Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage Jocelyn R. Neal Chapter 22: "These Are My People": The Politics of Country Music Jason Mellard Chapter 23: Country Music and Fan Culture Jonathan Wynn Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World Nathan D. Gibson INDEX ...

Autorentext
Travis D. Stimeling is an Assistant Professor of music history at West Virginia University. He has published two previous books with Oxford University Press: Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene (2011; paperback ed., 2016) and The Country Music Reader (2014). He served as a Senior Editor for The Grove Dictionary of American Music, 2nd Edition.

Klappentext
Country music studies is a thriving interdisciplinary field. The Oxford Handbook of Country Music draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.

Inhalt
CONTENTS
CONTRIBUTORS
INTRODUCTION: Situating Country Music Studies
Travis D. Stimeling
Chapter 1: "Come Hither to Go Yonder": The Folklorist's Zigzag Path to Country Music Studies
Erika Brady
Chapter 2: The "Southernness" of Country Music
Patrick Huber
Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music's History
Diane Pecknold
Chapter 4: Country Music as Cultural Practice
Clifford R. Murphy
Chapter 5: Geography and Country Music: Constructing "Geo-Cultural" Identities
Jada Watson
Chapter 6: On the Notion of "Old-Time" in Country Music
Greg Reish
Chapter 7: Country Music and Recording Practice
Travis D. Stimeling
Chapter 8: The Singing Voice in Country Music
Stephanie Vander Wel
Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar
Tim Sterner Miller
Chapter 10: Country Music and the Recording Industry
Charles L. Hughes
Chapter 11: Country Radio: The Dialectic of Format and Genre
Eric Weisbard
Chapter 12: Country Music and Television
Tracey E.W. Laird
Chapter 13: Country Music and Film
Barry Mazor
Chapter 14: The Sociology of Country Music
Richard Lloyd
Chapter 15: Class in Country Music
Leigh H. Edwards
Chapter 16: Race in Country Music Scholarship
Olivia Carter Mather
Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender
Kristine M. McCusker
Chapter 18: Sexuality in Country Music
Pamela Fox
Chapter 19: On the Sacred in Country Music
Stephen Shearon
Chapter 20: Goin' Hillbilly Nuts: Fashion Culture and Visual Style in Country Music
Caroline Gnagy
Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage
Jocelyn R. Neal
Chapter 22: "These Are My People": The Politics of Country Music
Jason Mellard
Chapter 23: Country Music and Fan Culture
Jonathan Wynn
Chapter 24: What's International About International Country Music?: Country Music and National Identity around the World
Nathan D. Gibson
INDEX

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