Romantic Outlaws

***AS READ ON BBC RADIO 4***NATIONAL BOOK CRITICS CIRCLE AWARD WINNER'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time.' Amanda ForemanEnglish feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar. Both women became famous writers and wrote books that changed literary history, had passionate relationships with several men, were single mothers out of wedlock; both lived in exile, fought for their position in society, and interrogated ideas of how we should live. Romantic Outlaws takes the reader on a vivid journey across revolutionary France and Victorian England to explore in this ground-breaking dual biography of the author of A Vindication of the Rights of Woman and the author who wrote Frankenstein - mother and daughter - a pair of visionary women, who should have shared a life, but who instead share a powerful literary and feminist legacy.

Vorwort
Inventive, page-turning, involving biography at its best.

Romantic Outlaws is the first book to tell the story of the passionate and pioneering lives of Mary Wollstonecraft English feminist and author of the landmark book, The Vindication of the Rights of Woman and her novelist daughter Mary Shelley, author of Frankenstein.

Autorentext
Charlotte Gordon

Klappentext
Now in paperback, this tells the true story of English feminist Mary Wollstonecraft and her daughter Mary Shelley, who she never knew as she died shortly after giving birth to her. Wollstonecraft wrote "The Vindication Of The Rights Of Women" and Shelley wrote "Frankenstein", and they both left a powerful literary and feminist legacy. 'An excellent and poignant book whose heroines breathe in its pages.' David Aaronovitch, "The Times"

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