Still Looking

Informationen zum Autor JOHN UPDIKE was the author of more than sixty books, eight of them collections of poetry. His novels, including The Centaur, Rabbit Is Rich, and Rabbit at Rest, won the Pulitzer Prize, the National Book Award, the National Book Critics Circle Award, and the William Dean Howells Medal of the American Academy of Arts and Letters. He died in 2009. Klappentext John Updike! moonlighting as art critic! now gathers together in this richly illustrated book 18 of his remarkable pieces! all dealing with American art. Zusammenfassung From a master of American letters and the author of the acclaimed Rabbit series comes a richly illustrated book of eighteen insightful essays about American art, written while he was the art critic at The New York Review of Books. Remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end. Newsday When, in 1989, a collection of John Updike's writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it. In the sixteen years since Just Looking was published, he continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this book, eighteen that deal with American art. After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both. Inhaltsverzeichnis Acknowledgments Introduction: An Oil on Canvas The American Face [Portraits] Nature His Only Instructor [John Singleton Copley] O Beautiful for Spacious Skies [Nineteenth-Century Landscapes] Heade Storms [Martin Johnson Heade] Epic Homer [Winslow Homer] The Ache in Eakins [Thomas Eakins] Whistler in the Dark [James McNeill Whistler] Better Than Nature [Albert Pinkham Ryder] Walls That Talk too Much [Impressionists and Realists] Street Arab [Childe Hassam] Evangel of the Lens [Alfred Stieglitz] A Lone Left Thing [Marsden Hartley] O Pioneer! [Arthur Dove] Two Takes on Hopper [Edward Hopper] Logic Is Beautiful [Elie Nadelman] Jackson Whole [Jackson Pollock] Iconic Andy [Andy Warhol] Index ...

Klappentext
John Updike, moonlighting as art critic, now gathers together in this richly illustrated book 18 of his remarkable pieces, all dealing with American art.

Zusammenfassung
From a master of American letters and the author of the acclaimed Rabbit series comes a richly illustrated book of eighteen insightful essays about American art, written while he was the art critic at The New York Review of Books.

“Remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Newsday

When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this book, eighteen that deal with American art.

After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume.

America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.”

Inhalt
Acknowledgments

Introduction: An Oil on Canvas

The American Face [Portraits]

Nature His Only Instructor [John Singleton Copley]

“O Beautiful for Spacious Skies” [Nineteenth-Century Landscapes]

Heade Storms [Martin Johnson Heade]

Epic Homer [Winslow Homer]

The Ache in Eakins [Thomas Eakins]

Whistler in the Dark [James McNeill Whistler]

“Better Than Nature” [Albert Pinkham Ryder]

Walls That Talk too Much [Impressionists and Realists]

Street Arab [Childe Hassam]

Evangel of the Lens [Alfred Stieglitz]

“A Lone Left Thing” [Marsden Hartley]

O Pioneer! [Arthur Dove]

Two Takes on Hopper [Edward Hopper]

Logic Is Beautiful [Elie Nadelman]

Jackson Whole [Jackson Pollock]

Iconic Andy [Andy Warhol]

Index

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