Ancient China and the Yue

Autorentext
Erica Fox Brindley is an intellectual and cultural historian of early China (500 BC to 200 AD). Her interests include the philosophical and religious texts, cultural norms, and political cultures that were born and flourished during this time. She is also interested in the history of identity and cross-cultural interactions between the Sinitic cultures of the North and their southern neighbors along the East Asian coast. She is the author of Music, Cosmology, and the Politics of Harmony in Early China (2012) and Individualism in Early China: Human Agency and the Self in Thought and Politics (2010). She has also written many articles on a wide range of topics for philosophy and Asian studies journals, and has co-edited volumes related to excavated texts and maritime East Asian history. Brindley has been awarded the prestigious Charles A. Ryskamp Research Fellowship and a Humboldt Research Fellowship for her work on various projects related to the ancient southern frontier. She also serves on the editorial collective for the new journal, Verge, and on the editorial board for the journal Early China.

Klappentext
A richly empirical discussion of ethnic identity formation in the ancient world, presenting the peoples of China's southern frontier.

Zusammenfassung
A richly empirical discussion of ethnic identity formation in the period 400 BCE50 CE. Erica Fox Brindley presents a meticulous new study of the ancient Chinese textual record in an attempt to understand the Yue peoples of China's southern frontier and how they were perceived by the Chinese elite.

Inhalt
Part I. Orientations: Definitions and Disciplinary Discussions: Introduction: concepts and frameworks; 1. Who were the Yue?; 2. Linguistic research on the Yue/Viet; 3. The archaeological record; Part II. Timelines and Political Histories of the Yue State and Han-Period Yue Kingdoms, 500 BCE0 BCE: 4. Political histories of the Yue state and Han-period Yue kingdoms, 500 BCE0 BCE; Part III. Performing Hua-Xia, Inscribing Yue: Rhetoric, Rites, and Tags: 5. The rhetoric of cultural superiority and conceptualizations of ethnicity; 6. Tropes of the savage: physical markers of Yue identity; 7. Savage landscapes and magical objects; Part IV. Performing Yue: Political Drama, Intrigue, and Armed Resistance: 8. Yue identity as political masquerade and ritual modeling; 9. Yue identity as armed resistance to the Han imperium; Conclusion; Bibliography; Index.

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