'Film Europe' and 'Film America'

Informationen zum Autor Andrew Higson is Professor of Film and Television at the University of York in the UK. He taught at the University of East Anglia from 1986 to 2008, where he was head of Film and Television Studies for several years. He has published widely on British cinema and on debates about national cinema. He is the author of English Heritage, English Cinema: Costume Drama Since 1980 (OUP, 2003) and Waving the Flag: Constructing a National Cinema in Britain (OUP, 1995); as editor, his books include Young and Innocent? The Cinema in Britain, 1896-1930 (University of Exeter Press, 2002), British Cinema, Past and Present , co-edited with Justine Ashby (Routledge, 2000). Klappentext A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. Zusammenfassung A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s! and the reactions of the American film industry to these plans to rival its hegemony.

Autorentext
Andrew Higson is Professor of Film and Television at the University of York in the UK. He taught at the University of East Anglia from 1986 to 2008, where he was head of Film and Television Studies for several years. He has published widely on British cinema and on debates about national cinema. He is the author of English Heritage, English Cinema: Costume Drama Since 1980 (OUP, 2003) and Waving the Flag: Constructing a National Cinema in Britain (OUP, 1995); as editor, his books include Young and Innocent? The Cinema in Britain, 1896-1930 (University of Exeter Press, 2002), British Cinema, Past and Present, co-edited with Justine Ashby (Routledge, 2000).

Klappentext
A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony.

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