Modalities of Change

Informationen zum Autor Robert Parkin is a Departmental Lecturer in Social Anthropology at the University of Oxford. He has also taught at the University of Kent at Canterbury, Oxford Brookes University and the Free University of Berlin. His main thematic interests are in kinship, religion and symbolism, ethnicity, nationalism and regional identity and the history of French anthropology, on all of which he has published extensively. Klappentext While in some cases modernity may dominate 'traditional' forms of expression, in others, the modern is embraced as a welcome source of new ideas that can modify 'tradition' while still keeping it within its own bounds. Maintaining a strong and distinct cultural identity with the help of modernity helps representatives of that identity cope with the modern world more generally. By contrast, assimilation to a dominant culture marked as modern is clearly associated with not only the loss of a distinct identity, but also its specific forms of cultural expression. This book explores the consequences of the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The contributors examine how traditions are themselves exploiting modernity in creative ways, in the interests of their own further cultural developments, and to what extent this approach is likely to help a tradition survive. Zusammenfassung This book explores the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The chapters question to what extent traditions are themselves exploiting modernity in creative ways, in the interests of their own further developments. Inhaltsverzeichnis Preface James Wilkerson and Robert Parkin Introduction James Wilkerson and Robert Parkin Part I: People's Republic of China Chapter 1. The house, the state and change: the modernity of Sichuan Gyalrong Tibetans Ting-yu Wang Chapter 2. From kinship to state and back again: lineage and history in a Qiang village Liu Biyun Chapter 3. Embroidery speaks: what does Miao embroidery tell us? Ho Zhaohua Chapter 4. Tensions between romantic love and marriage: performing 'Miao cultural individuality' in an upland Miao love song Chien Mei-ling Chapter 5. Modalities of the one-child policy among urban migrants in China Chang Kuei-min Chapter 6. The culture of World Cultural Heritage Eveline Bingaman Part II: Taiwan and Vietnam Chapter 7. 'Amis hip hop': the bodily expressions of contemporary young Amis in Taiwan Futuru C. L. Tsai Chapter 8. Contesting memory: the shifting power of narration in contemporary Paiwan contexts Li-Ju Hong Chapter 9. Ethnicity as strategy: Taiwan state policies and the Thao Yayoi Mitsuda Chapter 10. On the 'third morning': the continuity of life from past to present among the Nung of northern Vietnam N. Jenny Hsu Afterword: Performance as a mechanism for social change James Wilkerson ...

Autorentext
Robert Parkin is a Departmental Lecturer in Social Anthropology at the University of Oxford. He has also taught at the University of Kent at Canterbury, Oxford Brookes University and the Free University of Berlin. His main thematic interests are in kinship, religion and symbolism, ethnicity, nationalism and regional identity and the history of French anthropology, on all of which he has published extensively.

Klappentext
While in some cases modernity may dominate 'traditional' forms of expression, in others, the modern is embraced as a welcome source of new ideas that can modify 'tradition' while still keeping it within its own bounds. Maintaining a strong and distinct cultural identity with the help of modernity helps representatives of that identity cope with the modern world more generally. By contrast, assimilation to a dominant culture marked as modern is clearly associated with not only the loss of a distinct identity, but also its specific forms of cultural expression. This book explores the consequences of the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The contributors examine how traditions are themselves exploiting modernity in creative ways, in the interests of their own further cultural developments, and to what extent this approach is likely to help a tradition survive.

Zusammenfassung
This book explores the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The chapters question to what extent traditions are themselves exploiting modernity in creative ways, in the interests of their own further developments.

Inhalt
Preface
James Wilkerson and Robert Parkin Introduction
James Wilkerson and Robert Parkin Part I: People's Republic of China Chapter 1. The house, the state and change: the modernity of Sichuan Gyalrong Tibetans
Ting-yu Wang Chapter 2. From kinship to state and back again: lineage and history in a Qiang village
Liu Biyun Chapter 3. Embroidery speaks: what does Miao embroidery tell us?
Ho Zhaohua Chapter 4. Tensions between romantic love and marriage: performing 'Miao cultural individuality' in an upland Miao love song
Chien Mei-ling Chapter 5. Modalities of the one-child policy among urban migrants in China
Chang Kuei-min Chapter 6. The culture of World Cultural Heritage
Eveline Bingaman Part II: Taiwan and Vietnam Chapter 7. 'Amis hip hop': the bodily expressions of contemporary young Amis in Taiwan
Futuru C. L. Tsai Chapter 8. Contesting memory: the shifting power of narration in contemporary Paiwan contexts
Li-Ju Hong Chapter 9. Ethnicity as strategy: Taiwan state policies and the Thao
Yayoi Mitsuda Chapter 10. On the 'third morning': the continuity of life from past to present among the Nung of northern Vietnam
N. Jenny Hsu Afterword: Performance as a mechanism for social change
James Wilkerson

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