The Modern Singing Master

Informationen zum Autor Ariel Bybee is currently Associate Professor and Artist-in-Residence in the Opera Program at the University of Nebraska-Lincoln, where she teaches voice and directs operas. James E. Ford is in the English Department at the University of Nebraska-Lincoln. He teaches and publishes books and articles on critical theory and research methods. Klappentext A compilation of essays written by renowned singing teachers as their testament to their great singing instructor, whose research and interpretations have given birth to a new era of vocal pedagogy known as 'Functional Voice Training.' The essays explain the four basic principles with which he works: the two-register theory, the necessity for pure vowels, the use of rhythm to encourage the muscles to react spontaneously, and the choice of dynamic. Inhaltsverzeichnis Part 1 Part 1: The Two-Register Theory Controversy Part 2 Part 2: The Two-Register Theory in Practice Part 3 Part 3: Contexts and Affinities Part 4 Part 4: Reid in Germany Part 5 Part 5: Scholarly and Pedagogical Autobiography

Klappentext
A compilation of essays written by renowned singing teachers as their testament to their great singing instructor, whose research and interpretations have given birth to a new era of vocal pedagogy known as 'Functional Voice Training.' The essays explain the four basic principles with which he works: the two-register theory, the necessity for pure vowels, the use of rhythm to encourage the muscles to react spontaneously, and the choice of dynamic.

Inhalt
Part 1 Part 1: The Two-Register Theory Controversy Part 2 Part 2: The Two-Register Theory in Practice Part 3 Part 3: Contexts and Affinities Part 4 Part 4: Reid in Germany Part 5 Part 5: Scholarly and Pedagogical Autobiography

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