Lully Studies

Klappentext The work of Baroque composer Jean-Baptiste Lully! regarded as the founder of French opera and a key figure in the development of court ballet! enjoys growing popular and scholarly interest. This volume brings together thirteen international scholars to present the best recent research on Lully's life! his work and his influence. Illustrated with musical examples and photographs! the volume also contains surprising archival discoveries about the composer's early life in Tuscany and important new information about his manuscript sources. It will interest musicologists! historians! performers and listeners alike. Zusammenfassung Leading scholars from America and Europe present the best research on the life and work of Baroque composer Jean-Baptiste Lully. The volume is richly illustrated with musical examples and photographs and contains surprising archival discoveries about the composer's early life and important new information about his manuscript sources. Inhaltsverzeichnis Introduction James R. Anthony; 1. Lully's Tuscan family Jérôme de la Gorce; 2. Lully plays deaf: rereading the evidence on his privilege Patricia Ranum; 3. The phrase structures of Lully's dance music Rebecca Harris-Warrick; 4. Quinault's libretto for Isis: new directions for the Tragédie Lyrique Buford Norman; 5. The articulation of Lully's dramatic dialogue Lois Rosow; 6. The Amsterdam editions of Jean-Baptiste Lully's music: a bibliographical scrutiny with commentary Carl B. Schmidt; 7. 'Pourquoi toujours des bergers?' Molière, Lully, and the pastoral divertissement John S. Powell; 8. The presentation of Lully's Alceste at the Académie de Musique of Strasbourg Catherine Cessac; 9. Walking through Lully's opera theatre in the Palais Royal Barbara Coeyman; 10. Gluck and Lully Herbert Schneider; 11. Jules Écorcheville's genealogical study of the Lully family and its influence on Marcel Proust Manuel Couvreur.

Klappentext
The work of Baroque composer Jean-Baptiste Lully, regarded as the founder of French opera and a key figure in the development of court ballet, enjoys growing popular and scholarly interest. This volume brings together thirteen international scholars to present the best recent research on Lully's life, his work and his influence. Illustrated with musical examples and photographs, the volume also contains surprising archival discoveries about the composer's early life in Tuscany and important new information about his manuscript sources. It will interest musicologists, historians, performers and listeners alike.

Zusammenfassung
Leading scholars from America and Europe present the best research on the life and work of Baroque composer Jean-Baptiste Lully. The volume is richly illustrated with musical examples and photographs and contains surprising archival discoveries about the composer's early life and important new information about his manuscript sources.

Inhalt
Introduction James R. Anthony; 1. Lully's Tuscan family Jérôme de la Gorce; 2. Lully plays deaf: rereading the evidence on his privilege Patricia Ranum; 3. The phrase structures of Lully's dance music Rebecca Harris-Warrick; 4. Quinault's libretto for Isis: new directions for the Tragédie Lyrique Buford Norman; 5. The articulation of Lully's dramatic dialogue Lois Rosow; 6. The Amsterdam editions of Jean-Baptiste Lully's music: a bibliographical scrutiny with commentary Carl B. Schmidt; 7. 'Pourquoi toujours des bergers?' Molière, Lully, and the pastoral divertissement John S. Powell; 8. The presentation of Lully's Alceste at the Académie de Musique of Strasbourg Catherine Cessac; 9. Walking through Lully's opera theatre in the Palais Royal Barbara Coeyman; 10. Gluck and Lully Herbert Schneider; 11. Jules Écorcheville's genealogical study of the Lully family and its influence on Marcel Proust Manuel Couvreur.

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