Opera as Drama

Autorentext
Joseph Kerman, Professor Emeritus of Music at the University of California, Berkeley, is the author of The Art of Fugue: Bach Fugues for Keyboard, 1715-1750 (California, 2005) among many other books.

Klappentext
PRAISE FOR THE PREVIOUS EDITIONS:

If you are for opera, this book is for you.New York Times Book Review

The most influential recent book on opera criticismin the English-speaking worldNew Grove Dictionary of Opera

Affords the serious reader and listener an absorbing encounter with a sensitive and superbly trained intelligence in the act of thinking about music and music criticism. We come away remembering the sound of Kerman's prose voice, mellifluous, elegant, eminently civilized, beneath its cool control a ground bass of urgent feeling.San Francisco Chronicle Book Review

"The author's clarity and pungency...make for enjoyable, challenging reading. It is a collection that can tease the person who is primarily interested in opera into wanting to explore the song literature of the English Renaissance or to listen more knowledgeably to Mozart's piano concertos and Beethoven's symphonies."William Ashbrook, Opera Quarterly

"Kerman's musicological activity is technical without neglecting the importance of text, cultural context, meaning, expression, and value, and is likely to appeal to educated lay people.... Kerman's scholarship is careful and sensitive, and often subtle and witty. Yet this subtle scholarship has evoked strong and widespread reaction and provided significant leadership within musicology and beyond."Renée Cox Lorraine, Notes

"Lucid, lively.... Many aspects of his work can provide inspiration."Oliver Neighbour, Music and Letters

Zusammenfassung
Focusing on operatic criticism, this work is of interest to students and lovers of opera.

Inhalt
Preface to the New Edition 
Preface to the First Edition 
1. Prologue: Opera as Drama 
2. Orpheus: The Neoclassic Vision 
3· The Dark Ages 
4· Action and the Musical Continuity 
5· Mozart 
6. Verdi's Otello: Traditional Opera and the Image of Shakespeare
7· Opera as Sung Play 
8. Opera as Symphonic Poem 
9· Retrenchment: Wozzeck and The Rake's Progress 
10. Drama and the Alternative 
11. Epilogue: On Operatic Criticism 
Index 

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