Women, Art, and Society

Zusammenfassung This groundbreaking book challenges the assumption that great women artists are exceptions to the rule who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected! Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal! often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal! the author also addresses the closely related issues of ethnicity! class and sexuality.

Autorentext
Whitney Chadwick is Professor of Art at San Francisco State University. Among her other books are Significant Others and Women Artists and the Surrealist Movement, both published by Thames & Hudson.

Klappentext
"A wave of new scholarship floods her text… .Chadwick opens up whole new ways of thinking about familiar images."--"Women's Art Journal"
This acclaimed study challenges the assumption that great women artists are exceptions to the rule who transcended their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.
This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s. 325 illustrations, 90 in color.

Inhalt
Introduction: Art History and the Woman Artist; 1. The Middle Ages; 2. The Renaissance Ideal; 3. The Other Renaissance; 4. Domestic Genres and Women Painters in Northern Europe; 5. Amateurs and Academics: A New Ideology of Feminity in France and England; 6. Sex, Class and Power in Victorian England; 7. Toward Utopia: Moral Reform and American Art in the Nineteenth Century; 8. Separate but Unequal: Woman's Sphere and the New Art; 9. Modernism, Abstraction, and the New Woman, 1910 - 25; 10. Modernist Representation: The Female Body; 11. Gender, Race, and Modernism After the Second World War; 12. Feminist Art in North America and Great Britain; 13. New Directions: A Partial Overview; 14. Worlds Together, Worlds Apart.

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