Crime Fiction

Zusatztext ' Crime Fiction presents a digestible yet highly informative and intricate analysis of the genre. It is a valuable resourse for mystery and detective aficionados in addition to scholars' - Amy C. Branman, In-between Informationen zum Autor John Scaggs is a Lecturer in the Department of English at Mary Immaculate College in Limerick! Ireland. His research interests include Modern Fiction! with a particular emphasis on crime fiction and revenge tragedy! the Gothic and Literary Theory. Klappentext "Crime Fiction" provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels! short stories! films and televisions series! John Scaggs: *presents a concise history of crime fiction - from biblical narratives to James Ellroy - broadening the genre to include revenge tragedy and the gothic novel *explores the key sub-genres of crime fiction! such as "Rational Criminal Investigation!" "The Hard-Boiled Mode!" "The Police Procedural" and "Historical Crime Fiction" *locates texts and their recurring themes and motifs in a wider social and historical context *outlines the various critical concepts that are central to the study of crime fiction! including gender! narrative theory and film theory *considers contemporary television series like "C.S.I.: Crime Scene Investigation" alongside the "classic" whodunnits of Agatha Christie. Zusammenfassung Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction. Inhaltsverzeichnis Introduction Chapter 1. A Chronology of Crime: Early Crime Narratives Crime Stories as Cautionary Tales Crime Fiction and Policing The Golden Age to the Present Chapter 2. Mystery and Detective Fiction: Retracing the Steps The Origins of Mystery Fiction Reasoning Machines: The Figure of the Amateur Detective Escalating Crimes: From Purloined Letters to Murder Maintaining Social Order and the Status Quo Settings and Sub-Genres Chapter 3. The Hard-boiled Mode: Murder for a Reason Origins and Development A Shop-Soiled Galahad: The Private Eye Hero Last Chances and New Beginnings: The Myth of the Frontier Mean Streets and Rat's Alleys: Modernity and the City Fallen Angels: Appropriation of the Hard-Boiled Mode Chapter 4. The Police Procedural: Thin Blue Lines Fiction as Ideological State Apparatus Private Eye to Public Eye: The Development of the Procedural Textual Investigations: Characteristics of the Procedural, Social Placebo The Magic Bullet of Procedural Reassurance Arrested Developments: Appropriations of the Procedural Chapter 5 . The Crime Thriller: Outlining the Crime Thriller The Noir Thriller The Anti-Conspiracy Thriller 6. Historical Crime Fiction: Writing History and Interpreting the Past Crime, History and Realism The Case of the Name of the Rose Postmodernism and the Anti-Detective Novel ...

'Crime Fiction presents a digestible yet highly informative and intricate analysis of the genre. It is a valuable resourse for mystery and detective aficionados in addition to scholars' - Amy C. Branman, In-between

Autorentext
John Scaggs is a Lecturer in the Department of English at Mary Immaculate College in Limerick, Ireland. His research interests include Modern Fiction, with a particular emphasis on crime fiction and revenge tragedy, the Gothic and Literary Theory.

Klappentext
"Crime Fiction" provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, John Scaggs:

*presents a concise history of crime fiction - from biblical narratives to James Ellroy - broadening the genre to include revenge tragedy and the gothic novel

*explores the key sub-genres of crime fiction, such as "Rational Criminal Investigation," "The Hard-Boiled Mode," "The Police Procedural" and "Historical Crime Fiction"

*locates texts and their recurring themes and motifs in a wider social and historical context

*outlines the various critical concepts that are central to the study of crime fiction, including gender, narrative theory and film theory

*considers contemporary television series like "C.S.I.: Crime Scene Investigation" alongside the "classic" whodunnits of Agatha Christie.


Inhalt
Introduction Chapter 1. A Chronology of Crime: Early Crime Narratives Crime Stories as Cautionary Tales Crime Fiction and Policing The Golden Age to the Present Chapter 2. Mystery and Detective Fiction: Retracing the Steps The Origins of Mystery Fiction Reasoning Machines: The Figure of the Amateur Detective Escalating Crimes: From Purloined Letters to Murder Maintaining Social Order and the Status Quo Settings and Sub-Genres Chapter 3. The Hard-boiled Mode: Murder for a Reason Origins and Development A Shop-Soiled Galahad: The Private Eye Hero Last Chances and New Beginnings: The Myth of the Frontier Mean Streets and Rat's Alleys: Modernity and the City Fallen Angels: Appropriation of the Hard-Boiled Mode Chapter 4. The Police Procedural: Thin Blue Lines Fiction as Ideological State Apparatus Private Eye to Public Eye: The Development of the Procedural Textual Investigations: Characteristics of the Procedural, Social Placebo The Magic Bullet of Procedural Reassurance Arrested Developments: Appropriations of the Procedural Chapter 5. The Crime Thriller: Outlining the Crime Thriller The Noir Thriller The Anti-Conspiracy Thriller 6. Historical Crime Fiction: Writing History and Interpreting the Past Crime, History and Realism The Case of the Name of the Rose Postmodernism and the Anti-Detective Novel

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