Sinatra

Sinatra

Einband:
Broschiert
EAN:
9780375713705
Untertitel:
The Life
Genre:
Briefe & Biografien
Autor:
Anthony; Swan, Robbyn Summers
Herausgeber:
Random House N.Y.
Anzahl Seiten:
624
Erscheinungsdatum:
30.05.2006
ISBN:
0375713700

Looks at the life and career of Frank Sinatra, discussing his childhood in New Jersey, his passion for Ava Gardner, and his ties to the Mafia.

Zusatztext "The most definitive Sinatra bio to date." Entertainment Weekly A definitive! generational work. . . . The first fully documented biography since Sinatra's death. Vanity Fair First-rate reporting. . . . Dense and intimate. People A mountain of information. . . . Fascinating Los Angeles Times Only the most patient! judicious! unflappable of writers! and ones sincerely devoted to Mr. Sinatra's music! could have written this book. . . . It's safe to say Sinatra: The Life will remain definitive for years to come. Dallas Morning News Informationen zum Autor Anthony Summers, a former BBC journalist, is the author of six bestselling books, including The File of the Tsar, on the fate of the Romanovs; Not in Your Lifetime, on the assassination of President Kennedy; Official and Confidential, on J. Edgar Hoover; and The Arrogance of Power, on Richard Nixon. He won the Golden Dagger, the Crime Writers' Association's top nonfiction award, for Not in Your Lifetime. Robbyn Swan worked with Summers on the Hoover and Nixon biographies, and both authors have contributed to Vanity Fair and PBS's Frontline. They are married, have five children between them, and live in Ireland. Klappentext Packed with revelations, this is the first complete account of a career built on raw talent, sheer willpower--and criminal connections. Anthony Summers--bestselling author of Goddess: The Secret Lives of Marilyn Monroe --and Robbyn Swan unveil stunning new information about Sinatra's links to the Mafia, his crowded love life and his tangled relationships with U.S. presidents. Exclusive breakthroughs include the discovery of how the Mafia connection began--in a remote Sicilian village--and moving interviews with his lovers. Never-before-published conversations with Ava Gardner get to the core of the tragic passion that dominated his life, came close to destroying him, and made his best work heartbreakingly personal. Sinatra delivers the full life story of a complex, flawed genius. Debut March 18, 1939. In a studio on West 46th Street in New York City, a band was playing Rimsky-Korsakov's Flight of the Bumblebee. It was a simple place, a room with couches and lamps, hung with drapes to muffle the echo from the walls. This was a big day for the musicians, who were recording for the first time. A skinny young man listened as they played. The previous night, at the Sicilian Club near his home in New Jersey, he had asked if he could tag along. Now, as the band finished playing, he stepped forward and spoke to the bandleader. May I sing? he asked. The bandleader glanced at the studio clock to see if they had time left, then told the young man to go ahead. He chose Our Love, a stock arrangement based on a melody from Tchaikovsky's Romeo and Juliet . Standing at the rudimentary microphone, he launched into a saccharine lyric: Our love, I feel it everywhere Our love is like an evening prayer . . . I see your face in stars above, As I dream on, in all the magic of Our love. Unseasoned, a little reedy, the voice was transmitted through an amplifier to a recording device known as a lathe. The lathe drove the sound to a needle, and the needle carved a groove on a twelve-inch aluminum-based lacquer disc. The result was a record, to be played on a turntable at seventy-eight revolutions per minute. The bandleader kept the record in a drawer for nearly sixty years. He would take it out from time to time, with delight and increasing nostalgia, to play for friends. The music on it sounds tinny, a relic of the infancy of recording technology. Yet the disc is kept in a locked safe. The attorney for the bandleader's widow, an octogenarian on Social Security, says the singer's heirs have demanded all rights and the lion's share of any potential income derived from...

"The most definitive Sinatra bio to date." —Entertainment Weekly“A definitive, generational work. . . . The first fully documented biography since Sinatra's death.”—Vanity Fair“First-rate reporting. . . . Dense and intimate.” —People“A mountain of information. . . . Fascinating” —Los Angeles Times“Only the most patient, judicious, unflappable of writers, and ones sincerely devoted to Mr. Sinatra’s music, could have written this book. . . . It’s safe to say Sinatra: The Life will remain definitive for years to come.” —Dallas Morning News

Autorentext
Anthony Summers, a former BBC journalist, is the author of six bestselling books, including The File of the Tsar, on the fate of the Romanovs; Not in Your Lifetime, on the assassination of President Kennedy; Official and Confidential, on J. Edgar Hoover; and The Arrogance of Power, on Richard Nixon. He won the Golden Dagger, the Crime Writers’ Association’s top nonfiction award, for Not in Your Lifetime. Robbyn Swan worked with Summers on the Hoover and Nixon biographies, and both authors have contributed to Vanity Fair and PBS’s Frontline. They are married, have five children between them, and live in Ireland.

Klappentext
Packed with revelations, this is the first complete account of a career built on raw talent, sheer willpower--and criminal connections. Anthony Summers--bestselling author of Goddess: The Secret Lives of Marilyn Monroe--and Robbyn Swan unveil stunning new information about Sinatra's links to the Mafia, his crowded love life and his tangled relationships with U.S. presidents. Exclusive breakthroughs include the discovery of how the Mafia connection began--in a remote Sicilian village--and moving interviews with his lovers. Never-before-published conversations with Ava Gardner get to the core of the tragic passion that dominated his life, came close to destroying him, and made his best work heartbreakingly personal. Sinatra delivers the full life story of a complex, flawed genius.

Leseprobe
Debut

March 18, 1939.
In a studio on West 46th Street in New York City, a band was playing Rimsky-Korsakov’s “Flight of the Bumblebee.” It was a simple place, a room with couches and lamps, hung with drapes to muffle the echo from the walls. This was a big day for the musicians, who were recording for the first time.

A skinny young man listened as they played. The previous night, at the Sicilian Club near his home in New Jersey, he had asked if he could tag along. Now, as the band finished playing, he stepped forward and spoke to the bandleader. “May I sing?” he asked.

The bandleader glanced at the studio clock to see if they had time left, then told the young man to go ahead. He chose “Our Love,” a stock arrangement based on a melody from Tchaikovsky’s Romeo and Juliet. Standing at the rudimentary microphone, he launched into a saccharine lyric:

Our love, I feel it everywhere
Our love is like an evening prayer . . .
I see your face in stars above,
As I dream on, in all the magic of
Our love.

Unseasoned, a little reedy, the voice was transmitted through an amplifier to a recording device known as a lathe. The lathe drove the sound to a needle, and the needle carved a groove on a twelve-inch aluminum-based lacquer disc. The result was a record, to be played on a turntable at seventy-eight revolutions per minute.

The bandleader kept the record in a drawer for nearly sixty years. He would take it out from time to time, with delight and increasing nostalgia, to play for friends. The music on it sounds tinny, a relic of the infancy of recording technology. Yet the disc is kept in a locked safe. The attorney for the bandleader’s widow, an octogenar…


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