Camelot in the Nineteenth Century

Autorentext
LAURA COONER LAMBDIN teaches Professional Communications in the University of South Carolina's Moore School of Business. She has published on Malory, Chaucer, and various Victorian poets in such journals as Philological Quarterly and Arthurian Interpretations. With Robert T. Lambdin, she has edited Chaucer's Pilgrims: An Historical Guide to the Pilgrims in The Canterbury Tales (1996), and the Encyclopedia of Medieval Literature (2000), both available from Greenwood Press. ROBERT THOMAS LAMBDIN is Assistant Professor of English in the Transitional Year in the College of Applied Sciences Program at the University of South Carolina. He has published several articles on medieval literature and is the coeditor of Chaucer's Pilgrims: An Historical Guide to the Pilgrims in The Canterbury Tales (1996), and the Encyclopedia of Medieval Literature (2000), both available from Greenwood Press.

Klappentext
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision.

An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.

Zusammenfassung
While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception.

Inhalt
Introduction Arthurian Legends: Origins--Nineteenth Century Alfred Tennyson Matthew Arnold William Morris Algernon Swinburne Final Remarks Bibliography Index

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