The Comic Mind

Klappentext
IntroductionPt. I: Assumptions, Definitions, and Categories1. Comic Structures2. Comic Thought3. Comic Films--Categories and DefinitionsPt. II: Primitives4. Jests, Tricks, and the First Comic Personalities 5. Mack SennettPt. III: Chaplin and Keaton6. Chaplin: From Keystone to Mutual7. Chaplin: First Nationals and Silent Features8. Chaplin: Sound Films9. KeatonPt. IV: Other Silent Clowns10. Harold Lloyd11. Harry Langdon12. More Fun ShopsPt. V: Sound Comedy13. Sound and Structure14. Ernst Lubitsch and Rene Clair15. Jean Renoir16. The Dialogue Tradition17. The Clown Tradition18. The Ironic TraditionThe Case for ComedyNotesSelective BibliographyAppendix A: Distributors of Comic FilmsAppendix B: Photo CreditsIndex


Zusammenfassung
The second edition of "The Comic Mind" treats the comic developments of the 1970s in terms of the traditions of film comedy set forth in the first edition, including a discussion of the evolution of Jacques Tati and the emergence of Mel Brooks and Woody Allen as the two greatest American comic stylists of the seventies.

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