Alternative Worlds in Hollywood Cinema

The use of alternate realities in cinema has been brought to heights by films "Eternal Sunshine of the Spotless Mind" and "Donnie Darko". This book analyzes these imaginary realms, tracing their construction and development across periods, genres, and history.

Autorentext
James Walters is Lecturer in Film and Television Studies at the University of Birmingham. He has presented papers at numerous national and international conferences on a wide variety of topics relating to film and television. His written work has appeared in refereed journals including Screen, Journal of British Film and Television, Critical Survey and Scope: An Online Journal of Film Studies.

Inhalt
Chapter 1: 'Establishing Contexts' - Page 15 - James Walters Chapter 2: 'Imagined Worlds' - Page 43 - James Walters Chapter 3: 'Making it Home: The Wizard of Oz (Victor Fleming, 1939) & The Woman in the Window (Fritz Lang, 1944)' - Page 55 - James Walters Chapter 4: 'Return to Innocence: Eternal Sunshine of the Spotless Mind (Michael Gondry, 2004)' - Page 81 - James Walters Chapter 5: 'Potential Worlds' - Page 107 - James Walters Chapter 6: 'Reclaiming the Real: It's a Wonderful Life (Frank Capra, 1946)' - Page 115 - James Walters Chapter 7: 'The Search for Tomorrow: Groundhog Day (Harold Ramis, 1993)' - Page 135 - James Walters Chapter 8: 'Other Worlds' - Page 157 - James Walters Chapter 9: 'Life Beyond Reason: Brigadoon (Vincente Minnelli, 1954)' - Page 169 - James Walters Chapter 10: 'Rehearsal Space: Pleasantvile (Gary Ross, 1998)' - Page 191 - James Walters

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