Hong Kong New Wave Cinema (19782000)

Autorentext
Cheuk Pak Tong is associate professor in the department of film and television at Hong Kong Baptist University.

Klappentext
The rise of 'New Wave' cinema in 1970s Hong Kong has had a significant cultural and economic impact on the film industry of China. This title presents a picture of the films made in this era and the complexity of issues they tackle such as East-West conflict, colonial politics, the struggle of women in a modernizing Asian city and identity crisis.

Zusammenfassung
Hong Kong New Wave Cinema analyzes specific films from Hong Kong in the 1960s and 1970s and the historical and social conditions that allowed them to flourish. Pak Tong Cheuk also draws on the auteur and genre theories, examines the directorsâ™ cinematic style and aesthetics, traces the development of the film and television industries and more.

Inhalt
Chapter 1: 'The Emergence of the New Wave' - Page 9 - Pak Tong Cheuk Chapter 2: 'The Interactive Relationship Between Hong Kong's Film and Television Industries' - Page 29 - Pak Tong Cheuk Chapter 3: 'Ann Hui' - Page 53 - Pak Tong Cheuk Chapter 4: 'Tsui Hark' - Page 83 - Pak Tong Cheuk Chapter 5: 'Patrick Tam' - Page 119 - Pak Tong Cheuk Chapter 6: 'Yim Ho' - Page 147 - Pak Tong Cheuk Chapter 7: 'Allen Fong' - Page 163 - Pak Tong Cheuk Chapter 8: 'Alex Cheung' - Page 179 - Pak Tong Cheuk Chapter 9: 'Studies on Non-Core New Wave Directors Kirk Wong and Clifford Choi' - Page 189 - Pak Tong Cheuk Chapter 10: 'Studies on Non-Core New Wave Directors Lau Shing Hon, Tong Kee Ming, Peter Yung and Dennis Yu' - Page 211 - Pak Tong Cheuk Chapter 11: 'Contributions and Influence of the New Wave' - Page 233 - Pak Tong Cheuk

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