Everyday Music Listening

In what ways does listening to music shape everyday perception? Is music particularly effective in promoting shifts in consciousness? Is there any difference perceptually between contemplating one's surroundings and experiencing a work of art? This fascinating study brings together research and theory from a wide range of fields to provide a new framework for understanding the phenomenology of music listening in a way that will appeal to both specialist academic audiences and a broad general readership.

Autorentext
Ruth Herbert works on the subjective experience (phenomenology) of music in daily life, and the transformations of consciousness that may occur in conjunction with listening to and making music. Her extensive research interests also embrace music and wellbeing, music education, evolutionary psychology, ethology and performance psychology. Publications include book chapters and articles in both peer reviewed journals and specialist magazines. She currently works for the Open University, UK, and was formerly Head of Performance at Dartington College of Performing Arts. She has performed widely as a classical pianist and as a member of a diverse range of ensembles, notably recording soundtracks for two classic silent films.

Inhalt
A Note on the EvidenceIntroduction1. Music and Listening, Music and Consciousness 2. Conceptualizing Consciousness3. The Phenomenology of Everyday Music Listening Experiences4. Absorption, Dissociation and Trancing5. Musical and Non-Musical Trancing in Daily Life6. Imaginative Involvement7. Musical and Non-Musical Trancing: Similarities and Differences8. Experiencing Life and Art: Ethological and Evolutionary Perspectives on Transformations of Consciousness9. Everyday Music Listening Experiences Reframed.Bibliography Index

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