Protest Music in France

Zusatztext Winner of the 2011 IASPM prize for best English language monograph: 'Barbara Lebrun [...] incorporates both industry analysis and audience perspectives and does an excellent job in drawing links between the creation and distribution of 'alternative' music! its reception by audiences! and wider societal concerns and divisions.' 'Dr Lebrun... has succeeded in creating something that is both profound and thoroughly entertaining ... Altogether! this lucid and enlightening book is a joy to read. ...I would recommend it to anyone wanting to understand the evolution of modern protest or popular music in France! and those trying to fathom the singularity of French culture and society.' Songlines! with four-star rating 'Barbara Lebrun's informative and thorough study covers an area of recent French popular music little known on this side of the Channel. ... Barbara Lebrun's analysis of this recent cultural output looks at the institutional background of the French music industry and the ideological attitudes that motivated the practitioners of rock alternatif in their rejection of commercial structures.' French Studies 'In addition to presenting a well-written and well-structured argument! the strength of the book is its provision of diverse range of musical examples! and the insightful situating of these as cultural history in a material context. The result is a fascinating mosaic! which both educates the reader and encourages the further exploration of French music and its performers.' New Zealand Journal of French Studies Informationen zum Autor Dr Barbara Lebrun is a lecturer in Contemporary French Culture at The University of Manchester, UK. She completed her PhD on 'alternative' French rock music in 2003, at the University of Southampton, and has published a number of articles on French popular music since, in both English and French. Klappentext Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. The book focuses on music production in France, the representations of a 'protest' identity in relation to discourses of national identity and examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation. Zusammenfassung Traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Inhaltsverzeichnis Introduction Protest and Authenticity in Contemporary French Music Culture; Part I Serious Business. The Production of Protest in the French Music Industry; Chapter 1 Independent Labels, Music Policy and Rock Alternatif; Part II Protest Identities. Nostalgia, Multiculturalism and Success Abroad; Chapter 2 Authenticity and Nostalgia in Chanson Néo-réaliste; Chapter 3 Hybridity, Arabness and Cultural Legitimacy in Rock Métis; Chapter 4 Manu Chao, Anti-Globalization Protest and International Success; Part III Participation, Audiences and Festivals; Chapter 5 Audience Reception and 'Alternative' Identities in Contemporary France; Chapter 6 Music Festivals as Sites of 'Alternative' Identities;...

Autorentext
Dr Barbara Lebrun is a lecturer in Contemporary French Culture at The University of Manchester, UK. She completed her PhD on 'alternative' French rock music in 2003, at the University of Southampton, and has published a number of articles on French popular music since, in both English and French.

Klappentext
Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. The book focuses on music production in France, the representations of a 'protest' identity in relation to discourses of national identity and examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation.

Inhalt
Introduction Protest and Authenticity in Contemporary French Music Culture; Part I Serious Business. The Production of Protest in the French Music Industry; Chapter 1 Independent Labels, Music Policy and Rock Alternatif; Part II Protest Identities. Nostalgia, Multiculturalism and Success Abroad; Chapter 2 Authenticity and Nostalgia in Chanson Néo-réaliste; Chapter 3 Hybridity, Arabness and Cultural Legitimacy in Rock Métis; Chapter 4 Manu Chao, Anti-Globalization Protest and International Success; Part III Participation, Audiences and Festivals; Chapter 5 Audience Reception and 'Alternative' Identities in Contemporary France; Chapter 6 Music Festivals as Sites of 'Alternative' Identities;

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