The 'do-it-yourself' artwork

Informationen zum Autor Anna Dezeuze is an Honorary Research Fellow in Art History and Visual Studies at the University of Manchester Klappentext Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Zusammenfassung Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you the viewer - are invited to 'do it yourself.' -- . Inhaltsverzeichnis Contents1. Anna Dezeuze: An introduction to 'do-it-yourself'' artworkPART I: SITUATING PARTICIPATION2. Guy Brett: 3 Pioneers3. Anna Dezeuze: "Open work," "do-it-yourself artwork," and bricolage4. Judith Rodenbeck: "Creative acts of consumption" or, death in Venice5. Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environmentsPART II: PERFORMING PARTICIPATION6. Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris's sculpture7. Frazer Ward: Marina Abramovic: Approaching zero8. Amelia Jones: Space, body and the self in the work of Bruce Nauman9. Janet Kraynak: Tiravanija's liability10. Jennifer Gonzalez: The face and the public: Race, secrecy and digital art practicePART III: THEORISING PARTICIPATION11. Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s12. Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after13. Christian Kravagna: Working on the community: Models of participatory practice14. Claire Bishop: Antagonism and Relational Aesthetics15. Beryl Graham: What kind of participative system? Critical vocabularies from new media artIndex...

Autorentext
Anna Dezeuze is an Honorary Research Fellow in Art History and Visual Studies at the University of Manchester

Klappentext
Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.'

Inhalt
Contents 1. Anna Dezeuze: An introduction to 'do-it-yourself'' artwork PART I: SITUATING PARTICIPATION 2. Guy Brett: 3 Pioneers 3. Anna Dezeuze: "Open work," "do-it-yourself artwork," and bricolage 4. Judith Rodenbeck: "Creative acts of consumption" or, death in Venice 5. Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environments PART II: PERFORMING PARTICIPATION 6. Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris's sculpture 7. Frazer Ward: Marina Abramovic: Approaching zero 8. Amelia Jones: Space, body and the self in the work of Bruce Nauman 9. Janet Kraynak: Tiravanija's liability 10. Jennifer Gonzalez: The face and the public: Race, secrecy and digital art practice PART III: THEORISING PARTICIPATION 11. Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s 12. Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after 13. Christian Kravagna: Working on the community: Models of participatory practice 14. Claire Bishop: Antagonism and Relational Aesthetics 15. Beryl Graham: What kind of participative system? Critical vocabularies from new media art Index

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