Schenker Studies 2

Klappentext This is Cambridge University Press' second volume of studies based on the work of Heinrich Schenker (1868-1935)! now recognized as this century's most influential figure in the areas of music theory and analysis. The book contains historical studies that derive from Schenker's unpublished papers! and analytical studies of music from the eighteenth to the twentieth centuries. It aims to apply and further develop Schenker's theories and ideas for the benefit of music scholars! performers! and students. Zusammenfassung The second volume of studies based on the work of Heinrich Schenker (1868-1935)! now recognised as the twenty-first century's most influential figure in the areas of music theory and analysis. The book contains historical studies deriving from Schenker's unpublished papers! and analytical studies of music from the eighteenth to the twentieth centuries. Inhaltsverzeichnis Abbreviated references to Schenker's writings; Preface; Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky; 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel; 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille; Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transposition Wayne Petty; 5. Comedy and structure in Haydn's symphonies L. Poundie Burstein; 6.'Symphonic breadth': structural style in Mozart's symphonies David Gagné; 7. 'Structural momentum' and closure in Chopin's Nocturne Op. 9, No. 2 John Rink; 8. On the first movement of Sibelius's Fourth Symphony: a Schenkerian view Edward Laufer; 9. Voice leading as drama in Wozzeck Arthur Maisel; 10. Sequential expansion and Handelian phrase rhythm Channan Willner; 11. Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction Frank Samarotto; 12. Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations Timothy Jackson; 13. Bass-line articulations of the Urlinie Eric Wen; 14. Structure as foreground: 'das Drama des Ursatzes' Carl Schachter; Index....

Zusammenfassung
The second volume of studies based on the work of Heinrich Schenker (1868-1935), now recognised as the twenty-first century's most influential figure in the areas of music theory and analysis. The book contains historical studies deriving from Schenker's unpublished papers, and analytical studies of music from the eighteenth to the twentieth centuries.

Inhalt
Abbreviated references to Schenker's writings; Preface; Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky; 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel; 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille; Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transposition Wayne Petty; 5. Comedy and structure in Haydn's symphonies L. Poundie Burstein; 6.'Symphonic breadth': structural style in Mozart's symphonies David Gagné; 7. 'Structural momentum' and closure in Chopin's Nocturne Op. 9, No. 2 John Rink; 8. On the first movement of Sibelius's Fourth Symphony: a Schenkerian view Edward Laufer; 9. Voice leading as drama in Wozzeck Arthur Maisel; 10. Sequential expansion and Handelian phrase rhythm Channan Willner; 11. Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction Frank Samarotto; 12. Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations Timothy Jackson; 13. Bass-line articulations of the Urlinie Eric Wen; 14. Structure as foreground: 'das Drama des Ursatzes' Carl Schachter; Index.

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