Tippett Studies

This book covers all of Tippett's style-periods and many of the key genres within his oeuvre.

Klappentext
This book covers all of Tippett"s style-periods and many of the key genres within his oeuvre.

Zusammenfassung
Michael Tippett (190598) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices.

Inhalt
Preface; References to Tippett's scores and essays; 1. 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra David Clarke; 2. From pastiche to free composition: R. O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli Anthony Pople; 3. 'Is there a choice at all?' King Priam and motives for analysis Arnold Whittall; 4. Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical framework Kenneth Gloag; 5. Tippett, sequence and metaphor Christopher Mark; 6. Tonal elements and their significance in Tippett's Sonata No. 3 for Piano Alastair Borthwick; 7. 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto Stephen Collisson; 8. Tippett's King Priam and 'the tragic vision' Rowena Pollard and David Clarke; 9. Tippett at the millennium: a personal memoir Wilfrid Mellers; 10. Decline or renewal in late Tippett? The Fifth String Quartet in perspective Peter Wright; Appendix; Index.

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